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Updated: May 26, 2025


"How far we are from God with this paganism of Botticelli's!" said Durtal to himself. "What a difference between this painter and that Roger van der Weyden whose Nativity is the glory of one of the adjoining rooms in that magnificent Old Museum of Berlin!" Ay, that Nativity! He had only to turn to his notes to see it plainly before him.

English, Dutch, and French may be found. The Liotard and Tischbein pastels are charming. The dead Christ is being lowered into the arms of his mother. It is evidently a copy from a lost original in the style of Rogier van der Weyden. There are such copies in Bruges and elsewhere. Another composition is labelled as an anonymous work of undetermined school.

He had reasoned himself into a spell of the blues, and within few hours one could look for the devil within him to be up and stirring. I remembered Charley Furuseth, and knew this man's sadness as the penalty which the materialist ever pays for his materialism. "You've been on deck, Mr. Van Weyden," Wolf Larsen said, the following morning at the breakfast-table, "How do things look?"

Roger de la Pasture, usually known as Van der Weyden, the foremost representative of the Walloon branch of the school, came from Tournai to Brussels in 1435. The renown enjoyed by these artists extended far beyond the limits of Belgium and France, and the influence exerted by their works in Italy can easily be traced.

I was "Mr. Van Weyden" fore and aft, and it was only unofficially that Wolf Larsen himself ever addressed me as "Hump." It was amusing. Perhaps the wind would haul a few points while we were at dinner, and as I left the table he would say, "Mr. Van Weyden, will you kindly put about on the port tack." And I would go on deck, beckon Louis to me, and learn from him what was to be done.

His colours are still more luminous and transparent. On the other hand he is inferior to Van der Weyden in the carrying out of detail, such as the materials of his draperies or the rendering of the full brilliancy of gold.

On the other hand, the whole thing was laughable and childish. Whet, whet, whet, Humphrey Van Weyden sharpening his knife in a ship's galley and trying its edge with his thumb! Of all situations this was the most inconceivable. I know that my own kind could not have believed it possible.

I tried to break in on the man's morbid thoughts by calling him away, but he smiled sadly at me and refused to obey. Leach approached me as I returned aft. "I want to ask a favour, Mr. Van Weyden," he said. "If it's yer luck to ever make 'Frisco once more, will you hunt up Matt McCarthy? He's my old man.

Goya incarnated the renaissance of old Spain and its art. Spanish art has always come from without, for its foundations were northern and Flemish. The Van Eycks and Van der Weyden were studied closely; Jan Van Eyck visited Madrid.

Van Weyden has discovered that. We do everything to make our guests feel at home, eh, Mr. Van Weyden?" "Even to the peeling of potatoes and the washing of dishes," I answered, "to say nothing to wringing their necks out of very fellowship." "I beg of you not to receive false impressions of us from Mr. Van Weyden," he interposed with mock anxiety.

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