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Updated: May 20, 2025


They are as sad and dreary as if they led to the moated grange where Mariana waited in desperation for something to happen; and it's easy to take the usual inscription over the porch as a recommendation to those who enter to renounce all hope of anything but a glass of more or less agreeably acrid <i>vino romano</i>. For what you chiefly see over the walls and at the end of the straight short avenue of rusty cypresses are the appurtenances of a <i>vigna</i> a couple of acres of little upright sticks blackening in the sun, and a vast sallow-faced, scantily windowed mansion, whose expression denotes little of the life of the mind beyond what goes to the driving of a hard bargain over the tasted hogsheads.

About three years after his arrival in Florence, he took post-horses, and at midnight set off for Rome. Having reached the gardens of the "Vigna Navicella," and bribed the custode to lend them for a few hours, and otherwise to assist him, he dispatched a circular billet to eighteen of his friends, supplicating them to give him a rendezvous at the Navicella.

On Wednesday, December 11, a consultation took place between Dr. Cini, Dr. da Vigna, and Dr. Minich; and the opinion was then expressed for the first time that recovery, though still possible, was not within the bounds of probability. Weakness, however, rapidly gained upon him towards the close of the following day. Two hours before midnight of this Thursday, December 12, he breathed his last.

Unless the hardships I endure are beneficial to my soul, I lose my time and my labour.’ The Pope, who loved him, laid his hands upon his shoulders and said: ’You are gaining both for soul and body; have no fear!’ Michael Angelo’s self-defence increased the Pope’s love, and he ordered him to repair next day with Vasari to the Vigna Giulia, where they held long discourses upon matters of art."

In the Piazza Goldoni, where the Ponte Carraia springs off, several streets meet, best of them and busiest of them being that Via della Vigna Nuova which one should miss few opportunities of walking along, for here is the palazzo at No. 20 which Leon Battista Alberti designed for the Rucellai.

The name of a master not otherwise than good, likewise, in the same art and at the same time, was enjoyed by Marco Basarini, who, painting in Venice, where he was born from a Greek father and mother, executed in S. Francesco della Vigna a panel with a Deposition of Christ from the Cross, and another panel in the Church of S. Giobbe, representing Christ in the Garden, and below Him the three Apostles, who are sleeping, and S. Francis, S. Dominic, and two other saints; but what was most praised in this work was a landscape with many little figures wrought with good grace.

Of all this he gave the charge to Giulio, who, undertaking it willingly, and setting his hand to the work, brought that palace, which was then called the Vigna de' Medici, and is now known as the Villa Madama, to that condition which will be described below.

He commissioned Gian Barile to adorn all the doors and ceilings of woodwork with a good number of carvings, which he executed and finished with beautiful grace. He gave architectural designs for the Vigna of the Pope, and for many houses in the Borgo; in particular, for the Palace of Messer Giovanni Battista dall' Aquila, which was a very beautiful work.

He dined with us yesterday, and we talked over the pleasant days spent in the Vigna Palatina, his beautiful villa. Breakfasted to-day in the Rue d'Anjou, a take-leave repast given to the Duc and Duchesse de Guiche by Madame Craufurd. Lady Barbara and Colonel Craufurd were of the party, which was the only triste one I have seen in that house.

In 1721 he married a sister of Guardi, settled down in a house near the bridge of S. Francesco della Vigna, and had nine children. His chief artistic education came from the study of Titian and Paul Veronese, and he quickly became known as the most rapid and intrepid ceiling painter of the time. He worked with tremendous spirit, as one deduces from the the examination of his many frescoes.

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