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In 1721 he married a sister of Guardi, settled down in a house near the bridge of S. Francesco della Vigna, and had nine children. His chief artistic education came from the study of Titian and Paul Veronese, and he quickly became known as the most rapid and intrepid ceiling painter of the time. He worked with tremendous spirit, as one deduces from the the examination of his many frescoes.

The beauty of Venice was exaggerated, or if they did come to a "subject" that made them pull their sketch books out of their pockets, Camillo was at once bothering them to do it from just where Guardi, or Canaletto, or Rico, or Whistler, or Ruskin, or some other old boy had painted, etched, or drawn it Whistler alone had finished Venice for every artist who came after him and they were tired of his very name, and never wanted to have his etchings and pastels thrown in their faces again.

M. Rosa came and made me read the act which he had prepared; he had not had time to have it engrossed by the notary, but he undertook to have it ready the next day. I left Madame Orio to take supper with my brother Francois, who resided with a painter called Guardi; he was, like me, much oppressed by the tyranny of Grimani, and I promised to deliver him.

There was a portrait by Reynolds, and another by Hoppner, and there was a beautiful picture of the Grand Canal by Guardi, and there was a portrait by Goya of a General Allerton who had fought in the Peninsular War. Dick gave them a glance, and his blood tingled with admiration. He leaned against the fireplace. 'Your father asked me to come down and see you, Lucy.

But within the little squares and along the winding stony lanes between the ancient palaces, Venice was alive with citizens and soldiers and very much herself for the first time in many centuries. The famous piazza recalled the processional pictures of Guardi.

Gounod had set his heart upon a handsome young tenor named Guardi for the titular role, but he was found to be unequal to its demands. This caused such embarrassment that, it is said, Gounod, who had a pretty voice and was rather fond of showing it, seriously pondered the feasibility of singing it himself.

Francesco Guardi was born in Venice in 1712 and died there in 1793, and all his life he was translating the sparkling charm of his watery city into paint. His master was Canaletto, whom he surpassed in charm but never equalled in foot-rule accuracy or in that gravity which makes a really fine picture by the older man so distinguished a thing. Very little is known of Guardi's life.

How Florian's early patrons looked one can see in a brilliant little picture by Guardi in the National Gallery, No. 2099. The café boasts that its doors are never shut, day or night; and I have no doubt that this is true, but I have never tested it in the small hours. Oddly enough there are no restaurants in the Piazza, but many about its borders on the north and west.

Pietro Longhi Hogarth Tiepolo A gambling wife Canaletto Guardi The Vivarini Boccaccini Venetian art and its beginnings The three Bellinis Giovanni Bellini A beautiful room Titian's "Presentation" The busy Evangelists A lovely ceiling. A number of small rooms which are mostly negligible now occur.

In the south is the Grand Canal with a Guardi pattern of gondolas upon it, criss-crossing like flies; then S. Giorgio's lovely island and the Giudecca, and beyond these various islands of the lagoon: La Grazia, S. Clemente, and, in the far distance, Malamocco. In the south-west the Custom House pushes its nose into the water, with the vast white mountain of the Salute behind it.