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The vast representation of Titian rather injures Veronese and Tintoret. Opposite the Gloria of Yuste hangs the sketch of that stupendous Paradise of Tintoret, which we see in the Palace of the Doges, the biggest picture ever painted by mortal, thirty feet high and seventy-four long. The sketch was secured by Velazquez in his tour through Italy.
His carefully pointed beard made him look more manly and militant than otherwise, as it does in those old admirals of Velazquez with whose dark portraits his house was hung. His grey gloves were a shade bluer, his silver-knobbed cane a shade longer than scores of such gloves and canes flapped and flourished about the theatres and the restaurants.
If our theology were what it should be, and cannot be, absolute and unquestionable truth, Luca the Quick-worker would have been right. Velazquez was painting the portrait of a stupid little infanta when the idea came to him of perpetuating the scene just as it was. We know how we have wished to be sure of the exact accessories of past events.
They are perhaps more impressive in their beauty and loneliness than if they were pranking among their kin in the glorious galleries and perfect light of that enchanted palace of Charles III. The inexhaustible old man of Cadora has the Prayer on Mount Olivet, an Ecce Homo, an Adoration of the Magi. Velazquez one of his rare scriptural pieces, Jacob and his Children.
Now, however, the accomplished biographer of Velazquez, Herr Carl Justi, comes forward with convincing arguments to show that the handsome insouciant personage, with the crisply curling dark hair and beard, in Titian's picture at Madrid cannot possibly be, as has hitherto been almost universally assumed, Alfonso I. of Ferrara, but may very probably be his son, Ercole II. This alone invalidates the favourite designation of the Louvre picture, and renders it highly unlikely that we have here the "stupendous" portrait of the Signora Laura mentioned by Vasari.
They charged him with having publicly declared Cortez a traitor and a rebel: with having intercepted and suppressed his letters addressed to the king, keeping his majesty in ignorance of their contents and of the important services he had performed, while he diligently forwarded all letters calculated to promote the interest of Velazquez: with having prevented the representations of Cortez from being heard in the council of the Indies, declaring that they should never be heard there while he lived: with having interdicted the forwarding of arms, merchandise, and reinforcements to New Spain: and with having issued orders to the office of the India House at Seville to arrest the procurators of Cortez and all persons arriving from him, and to seize and detain all gold that they should bring.
Every one knows the head of Philip IV., he was fortunate in being the friend of Velazquez, the high, narrow brow, the long, weak face, the yellow, curled mustache, the thick, red lips, and the ever lengthening Hapsburg chin. But the line of Austria ends with the utmost limit of caricature in the face of Charles the Bewitched!
At about this time a small third party appeared, led by Federico Velazquez, a former Horacista. His followers are known as Velazquistas, though the party has adopted the official name of Progresista. In the elections of 1914 he joined forces with Jimenez, who thus secured the presidency.
A court cortege moves in, the long, dark alley stretches off for miles directly in front, without any trick of lines or curves; the artist has painted the shaded air. To the left a patch of still water reflects the dark wood, and above there is a distant and tranquil sky. Had Velazquez not done such vastly greater things, his few landscapes would alone have won him fame enough.
The Andalusian school counts among its early illustrations Vargas, Roelas, the Castillos, Herrera, Pacheco, and Moya, and among its later glories Velazquez, Alonzo Cano, Zurbaran, and Murillo, last and greatest of the mighty line. The school of Madrid begins with Berruguete and Na-varrete, the Italians Caxes, Rizi, and others, who are followed by Sanchez Coello, Pantoja, Collantes.
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