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A Russian peasant smells like the Chicago river on a summer's day, or Tolstoi's "Kreutzer Sonata." He's more disagreeable to the olfactories than old John Jacob Astor's hide house, from whose effluvia sprung the master spirits of Gotham's Four Hundred. He will eat what would send a coyote howling out of the country.
We cannot be blind to its waste of life and treasure and the demoralization which follows in its train; nor cease to wonder at the spectacle of Christian nations exhausting all their resources in preparing to slaughter each other, with only here and there a voice, like Count Tolstoi's in the Russian wilderness, crying in heedless ears that the gospel of Christ is peace, not war, and love, not hatred.
He found them, considering their station, actually in want, dependent on the Czar's gifts of clothes and other necessaries for the little personal comfort they enjoyed. This made a deep impression on Tolstoi's heart, and though received at Paris with such distinction as had never been accorded to any other ambassador, he was cold and distant with both the Emperor and the court.
In Paris he once more visited Turgenev, and then crossed over to London, where he saw the great Russian critic Herzen almost every day. Herzen was not at all impressed by Tolstoi's philosophical views, finding them both weak and vague. The little daughter of Herzen begged her father for the privilege of meeting the young and famous author.
Men seem more real to them than do boundaries of countries which they never see, and the interests of wealth that is also invisible. Such thought as this has behind it some of the most powerful minds, as we know. It is Tolstoi's philosophy, and it is the argument of such men as Novicow. The professional economist and the student of history add their protests.
It is interesting as an excellent picture of an interesting community, and it is interesting as a diary, for the chief character, Olenin, is none other than Leo Tolstoi. He departed for the Caucasus in much the same manner as the young writer, and his observations and reflections there are Tolstoi's own.
The latest of them, Count Tolstoi's "Master and Man," is one of those masterpieces which take rank at once, not by reason of their magnitude, but by reason of a certain beautiful quality which comes only to the man whose heart is pressed against the heart of his theme, and who divines what life is in the inarticulate soul of his brother man.
This alone explains a fact which struck me forcibly the fact that all Tolstoi's love of humanity, real though it certainly is, seems accompanied by a depreciation of the ideas, statements, and proposals of almost every other human being, and by virtual intolerance of all thought which seems in the slightest degree different from his own.
From this time on, Tolstoi's life was that of one who had entered into cosmic consciousness, as we note the effects in others. Desire for solitude a taste for the simple, natural things of life, possessed him. The primitive peasants and their coarse but wholesome food appealed to him.
But there is something to be said for the real pre-eminence of prose fiction as a literary form. St Peter's at Rome is a trifle compared with Tolstoi's War and Peace; and it is as certain as anything can be that, during the present geological epoch at any rate, no epic half as long as War and Peace will ever be read, even if written.
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