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Updated: May 1, 2025
And Tolstoi's claim, that Beethoven must have written it under the inspiration of a too amorous mood, is pretty well answered by the fact that Beethoven, who was so liberal of his dedications to women, whenever they had inspired him, dedicated this work to two different violinists, both men.
You will find, throughout Tolstoi's work, many striking single scenes, but never, I think, a scene which can bear detachment from that network of detail which has led up to it and which is to come out of it. Often the scene which most profoundly impresses one is a scene trifling in itself, and owing its impressiveness partly to that very quality.
Then, as he passed the chest of drawers, he gave a final touch to the half-dozen ragged-edged books which composed his library three volumes of Puschkin, of three different editions, Ivan Kryloff's Poems and Fables, Gogol's Terrible Revenge, Tolstoi's How People Live, and two or three more, including Koltsoff, the shepherd poet, and an ancient guide to the city of Kiew as heterogeneous a collection of works as could be imagined, yet all notable in their way, except, indeed, the guide-book, for beauty, power, or touching truth.
The evolution of Tolstoi's ideas has evidently been mainly determined by his environment. During two centuries Russia has been coming slowly out of the middle ages indeed, out of perhaps the most cruel phases of mediaeval life. Her history is, in its details, discouraging; her daily life disheartening.
He has set some of Tolstoï's words to music, the sinister love of "Doubt Not, O Friend," and the hurry and glow of "The First Spring Days," making unusually powerful songs. In the "Look Off, Dear Love," he did not catch up with Lanier's great lyric, but he handled his material most effectively in Aldrich' "Song from the Persian," with its Oriental wail followed by a martial joy.
Thus the works of the man who is perhaps the greatest novelist in history are in harmony with what we recognise as the deepest and most eternal truth, both in life and in our own hearts. The silver tones and subtle music of Turgenev's clavichord were followed by the crashing force of Tolstoi's organ harmonies, and by the thrilling, heart-piercing discords struck by Dostoevski.
And they do not hesitate to say that they will use more active measures if capitalist governments persist in what seems to be their present determination to resort to some form of military despotism when the Socialists have won over a majority of the population to their views. Tolstoi's Essay entitled, "Where is the Way Out?" October, 1900. Dr. Dr.
This reminds us of a precisely similar attempt described by Tolstoi in "Youth." Furthermore, Posdnichev's self-righteousness in the fact that although he had been dissipated, he determined to be faithful to his wife, was literally and psychologically true in Tolstoi's own life.
Natural scenery is occasionally introduced, like the mountains in "The Cossacks," to show how the spectacle affects the mind of the person who is looking at it. It is seldom made use of for a background. Mere description occupied a very small place in Tolstoi's method.
Not only do the early novels indicate the direction that Tolstoi's whole life was bound to assume, but his diary and letters show the same thing. The extracts from these that I have given above are substantial proof of this he saw the truth just as clearly in 1855 as he saw it in 1885, or in 1905.
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