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Updated: May 28, 2025
The biography will supply the need of that part of the public which has no time to read Strindberg, but has plenty of time to read about him. It will give them a capably potted Strindberg, and will tell them quietly and briefly much that he himself has told violently and at length in The Son of a Servant, The Confession of a Fool, and, indeed, in nearly everything he wrote.
It is surprising to see how, in four or five pages, the author gives a clear view of the monotonous life of seventy years; in this particular art, Strindberg himself has done no better. The experience of age is contrasted with the hope of youth.
Krafft-Ebing and a crew of investigators, Strindberg, Brieux, Hauptmann, and a score of probing playwrights all over the Continent, have gone further and often fared much worse than Ibsen did when he dived into the family history of Kammerherre Alving. When we read Ghosts to-day we cannot recapture the "new shudder" which it gave us a quarter of a century ago.
To discuss pragmatism while eating oysters would be destructive to the enjoyment afforded by the delicate sense of taste, whereas, to let one's mind wander from the plane of philosophic thought when preparing for a Hauptmann or a Strindberg play would lead to nothing less than the disaster of disequilibrium."
There is more than one profound thinker of our own period who has arraigned her influence Strindberg and Nietzsche among them. You cannot turn a page of history that the woman is not on it or behind it. She is the most subtle and binding thread in the pattern of Human Life!
"Strindberg," Miss Lind declares, "patiently burnt his heart for the illumination of the people, and on the day when his body was laid low in the soil, the flame of his self-immolation was seen, pure and inextinguishable." This will not do. "Patiently" is impossible; so is "pure and inextinguishable."
Strindberg wrote of Gauguin's first exhibition and expressed dislike for the artist's prepossession with form, and for the savage models he chose. Gauguin's reply was: "Your civilization is your disease; my barbarism is my restoration to health. I am a savage. Every human work is a revelation of the individual. All I have learned from others has been an impediment to me.
Therefore, Strindberg called Ibsen an old corrupter. What is the matter with the men nowadays? Hadn't they better awaken to the truth that they are no longer attractive, or indispensable? Isn't it time for the ruder sex to organise as a step toward preserving their fancied inalienable sovereignty of the globe? In Thus Spake Zarathustra, Nietzsche wrote: "Thou goest to women. Remember thy whip."
The giants of the theatre of our time, Ibsen and Strindberg, had no greater comfort for the world than we: indeed much less; for they refused us even the Shakespearian-Dickensian consolation of laughter at mischief, accurately called comic relief. Our emancipated young successors scorn us, very properly. But they will be able to do no better whilst the drama remains pre-Evolutionist.
Damn her cheerfulness! It was inconsiderate of Jerry to set me to squiring middle-aged dames while he spooned with his Freudian miracle in the conservatory. Strindberg indeed! Schnitzler, too, in all probability! While I invented mid-Victorian platitudes for the prosaic, "not very pretty" Miss Gore Bore! Bore Gore! Bah! I gave the necessary orders and went in to my work.
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