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And they had already, of course, begun writing it down. But while they wrote, the prosecutor said suddenly, as though pitching on a new idea: “But if Smerdyakov also knew of these signals and you absolutely deny all responsibility for the death of your father, was it not he, perhaps, who knocked the signal agreed upon, induced your father to open to him, and then ... committed the crime?”
You thought, of course, that I should jump at that, catch at your prompting, and shout with all my might, ‘Aie! it’s Smerdyakov; he’s the murderer.’ Confess that’s what you thought. Confess, and I’ll go on.” But the prosecutor did not confess. He held his tongue and waited. “You’re mistaken. I’m not going to shout ‘It’s Smerdyakov,’ ” said Mitya. “And you don’t even suspect him?”
But Grigory waked up in the night, quite suddenly, and, after a moment’s reflection, though he immediately felt a sharp pain in his back, he sat up in bed. Then he deliberated again, got up and dressed hurriedly. Perhaps his conscience was uneasy at the thought of sleeping while the house was unguarded “in such perilous times.” Smerdyakov, exhausted by his fit, lay motionless in the next room.
“That’s so.” “The Metropolis tavern in the market-place?” “The very same.” “That’s quite likely,” cried Alyosha, much excited. “Thank you, Smerdyakov; that’s important. I’ll go there at once.” “Don’t betray me,” Smerdyakov called after him. “Oh, no, I’ll go to the tavern as though by chance. Don’t be anxious.” “But wait a minute, I’ll open the gate to you,” cried Marya Kondratyevna.
“Just now, when the prosecutor was explaining his subtle theory that only an inexperienced thief like Karamazov would have left the envelope on the floor, and not one like Smerdyakov, who would have avoided leaving a piece of evidence against himself, I thought as I listened that I was hearing something very familiar, and, would you believe it, I have heard that very argument, that very conjecture, of how Karamazov would have behaved, precisely two days before, from Smerdyakov himself.
Yet are we to believe that, though plotting the murder, he told that son, Dmitri, about the money, the envelope, and the signals? Is that logical? Is that clear? “When the day of the murder planned by Smerdyakov came, we have him falling downstairs in a feigned fit—with what object?
Grushenka had come on the scene, and there had been the scandals with his brother Dmitri—they discussed that, too. But though Smerdyakov always talked of that with great excitement, it was impossible to discover what he desired to come of it. There was, in fact, something surprising in the illogicality and incoherence of some of his desires, accidentally betrayed and always vaguely expressed.
“He never tells us,” lisped Marya Kondratyevna. “Though I used to come here as a friend,” Smerdyakov began again, “Dmitri Fyodorovitch has pestered me in a merciless way even here by his incessant questions about the master. ‘What news?’ he’ll ask. ‘What’s going on in there now? Who’s coming and going?’ and can’t I tell him something more. Twice already he’s threatened me with death.”
Ivan listened with perfect seriousness to his father’s excited whisper. “Stay, Smerdyakov, be quiet a minute,” cried Fyodor Pavlovitch once more. “Ivan, your ear again.” Ivan bent down again with a perfectly grave face. “I love you as I do Alyosha. Don’t think I don’t love you. Some brandy?” “Yes.—But you’re rather drunk yourself,” thought Ivan, looking steadily at his father.
But in the left eye, which was screwed up and seemed to be insinuating something, Smerdyakov showed himself unchanged. “It’s always worth while speaking to a clever man.” Ivan was reminded of that at once. He sat down on the stool at his feet. Smerdyakov, with painful effort, shifted his position in bed, but he was not the first to speak. He remained dumb, and did not even look much interested.
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