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Updated: May 5, 2025
But nobody could say that a statue of Shakspere, even fifty feet high, on the top of St. Paul's Cathedral, could define Shakspere's position. It only defines our position towards Shakspere. It is he who is fixed; it is we who are unstable.
Bullinger, p. 361. But the semi-sceptical state of thought was in Shakspere's time making its way only amongst the more educated portion of the nation. The masses still clung to the old and venerated, if not venerable, belief that devils could at any moment assume what form soever they might please not troubling themselves further to inquire into the method of the operation.
Weber's overture to "Oberon" was finely rendered, and the composition is as fine a specimen of musical fairy-land as could be found before young Mendelssohn dreamed Shakspere's dream over in his own way. "In Jenny Lind we still feel that it is not easy to separate the singer from the person. She sings herself.
But, altho the playhouse in which Molière performed was roofed and lighted, and altho he had some scenery, yet there were spectators sitting on his stage as on Shakspere's, and the conditions were those of the platform and not of the picture. Oddly enough, the most pictorial of all the theaters that have preceded our own time is the theater of the Athenians.
A larger and deeper conception of human character than any of the old dramatists had reached displayed itself in Richard the Third, in Falstaff, or in Hotspur; while in Constance and Richard the Second the pathos of human suffering was painted as even Marlowe had never dared to paint it. No dramas have done so much for Shakspere's enduring popularity with his countrymen as these historical plays.
That settle had a very hard seat and history does not record that there was a cushion. Shakspere's affections for the lady must indeed have been steadfast. Or perhaps he was of stouter build than his pictures show him to have been. Guides were scattered all over the birthplace house in Stratford in the ratio of one or more to each room.
It has now attained a goodly size, considering the growth of the oak, and bids fair to become a lasting memento to the Noble Bard, and to be a shrine to which thousands of pilgrims will resort in future ages, to do homage to his mighty genius. This tree promises to share in after times the celebrity of Shakspere's mulberry, and Pope's willow.
The lines from Congreve are bald and utterly commonplace; they have no positive quality; and when some of us think of such gems as "When daisies pied and violets blue," or, "To-morrow, and to-morrow, and to-morrow," or even the description of the Dover cliff, not to mention the thousands of other gems in Shakspere's great dramas, we feel inclined to be angry when we are asked to admire Congreve's stilted nonsense.
Shakspere's last dramas, the three exquisite works in which he shows a soul at rest with itself and with the world, "Cymbeline," "The Tempest," "Winter's Tale," were written in the midst of ease and competence, in a house at Stratford to which he withdrew a few years after the death of Elizabeth. In them we lose all relation with the world or the time and pass into a region of pure poetry.
And so great is Shakspere's sympathy with Shylock even, in the hard and unjust doom that overtakes him, that he dismisses him with some of the spare sympathies of the more tender-hearted of his spectators. Nowhere is the justice of genius more plain than in Shakspere's utter freedom from party-spirit, even with regard to his own creations.
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