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After this they made Ashurst sing, Stella playing him accompaniments from a book of Schumann songs, till, in the middle of "Ich grolle nicht," two small figures clad in blue dressing-gowns crept in and tried to conceal themselves beneath the piano. The evening broke up in confusion, and what Sabina called "a splendid rag." That night Ashurst hardly slept at all.

In 1830, two years after the first meeting of Robert and Clara, Schumann, his father having died, wrote to his mother and his guardian and begged them to allow him to choose a musical career, referring them to Wieck for an opinion as to his musical abilities.

Schumann sat down again to his writing; but he did not take up the pen. What his captain had said about "desertion" kept running in his head. He himself sometimes had the feeling that it would be wrong of him to quit the service. Especially now, when these new-fangled ways made men of the good old stamp all the more necessary.

She studied with Robert Schumann, at Düsseldorf, and became famous as a pianist. Her compositions, not all published, include several string quartettes, a piano trio, sonatas, choral works, fragments of an opera, and a number of effective piano pieces. Among contemporary composers, Mathilde von Kralike has published a piano trio of some interest.

The history of the sonata is the history of musical evolution. Every great composer, Schubert included, added to the form, filed here, chipped away there, introduced lawlessness where reigned prim order witness the Schumann F sharp minor Sonata and then came Chopin. The Chopin sonata has caused almost as much warfare as the Wagner music drama.

Opus 5 contained five songs, of which the ecstatic "'Twas April" reached the largest popularity. Possibly the smallest sale was enjoyed by "Herbstgefühl." Many years have not availed to shake my allegiance to this song, as one of the noblest songs in the world's music. It is to me, in all soberness, as great as the greatest of the Lieder of Schubert, Schumann or Franz.

History has never witnessed a more perfect union of two similar natures, both endowed with rich mental gifts, and each filled with a perfect sympathy for the other, than the marriage of Robert Schumann and Clara Wieck. It holds a place in the story of music similar to that occupied by the romance of Abelard and Heloise in poetry.

On the last page, second bar, first line, Kullak writes the passage beginning with E flat in eighth notes, Klindworth in sixteenths. The close is very striking, full of the splendors of glancing scales and shrill octave progressions. "It would inspire a poet to write words to it," said Robert Schumann. "Perhaps the most touching of all that Chopin has written is the tale of the F major Ballade.

Schumann reviewed it in 1836. It is sprightly, Polish in feeling and rhythmic life, and a glance at any of its pages gives us the familiar Chopin impression florid passage work, chords in extensions and chromatic progressions. The Concert Rondo, op. 14, in F, called Krakowiak, is built on a national dance in two-four time, which originated in Cracovia.

Schumann consoled himself later by saying that he did Ernestine no wrong, for it would have been a greater and more terrible misery had they married. "Earlier or later my old love and attachment for you would have awakened again, and then what misery!... Ernestine knew right well that she had first driven you out of my heart, that I loved you before I knew Ernestine."