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Perhaps it was she who had desired the Miss Schlegels to be invited to Howards End, and Margaret whose presence she had particularly desired. All this is speculation; Mrs. Wilcox has left few clear indications behind her. It is certain that she came to call at Wickham Place a fortnight later, the very day that Helen was going with her cousin to Stettin.
Tieck and the Schlegels were a few years older, Fouqué was of the same age as he, and Arnim and Brentano somewhat younger. His acquaintance was largely with the authors who represented this tendency. In his own works, however, Kleist was singularly independent of the romantic influence.
His absurd play-within-a-play, Puss in Boots , is delicious in its bizarre ragout of satirical extravaganzas, where the naïve and the ironic lie side by side, and where the pompous seriousness of certain complacent standards is neatly excoriated. Such publications as the two mentioned were hailed with rejoicing by the Schlegels, who at once adopted Tieck as a natural ally.
The Schlegels showed the haughty malignity of their ungenerous natures, in depreciating Wieland, at a time when old age had laid a freezing hand upon the energy which he would once have put forth in defending himself. He was the Voltaire of Germany, and very much more than the Voltaire; for his romantic and legendary poems are above the level of Voltaire.
Lessing, who died in 1781, Klopstock, who died in 1803, Schiller, who died in 1805, Kant, who died in 1804, Hegel, who died in 1831, Fichte, who died in 1814, Wolf, who died in 1824, "Jean Paul" Friedrich Richter, who died in 1825, Voss, who died in 1826, Schelling, who died in 1854, the two Schlegels, August Wilhelm and Frederick, who died in 1845 and in 1829, Jacob Grimm, who died in 1863, Herder, Wieland, Kotzebue, what a list of names!
When they told him of their search, he only chaffed Tibby and the Schlegels generally, and declared that it was "just like Helen" to lead her relatives a dance. "That is what we all say," replied Margaret. "But why should it be just like Helen? Why should she be allowed to be so queer, and to grow queerer?" "Don't ask me. I'm a plain man of business. I live and let live.
The Romantic School: the Schlegels, Novalis; Tieck, Koerner, Arndt, Uhland, Heine, and others. 6. The Drama: Goethe and Schiller; the Power Men; Muellner, Werner, Howald, and Grillparzer. 7. Philosophy: Kant, Fichte, Schelling, Hegel, Schopenhauer, and Hartmann; Science: Liebig, Du Bois-Raymond, Virchow, Helmholst, Haeckel. 8. Miscellaneous Writings.
They had done more in a week than in two years, and were really beginning to know each other. She did not forget his promise to sample Eustace Miles, and asked him as soon as she could secure Tibby as his chaperon. He came, and partook of body-building dishes with humility. Next morning the Schlegels left for Swanage. They had not succeeded in finding a new home.
We are reverting to the civilisation of luggage, and historians of the future will note how the middle classes accreted possessions without taking root in the earth, and may find in this the secret of their imaginative poverty. The Schlegels were certainly the poorer for the loss of Wickham Place. It had helped to balance their lives, and almost to counsel them.
Some people, from pride, don't like to be praised at all; and all sensible people, from propriety, don't like to be praised extravagantly: whether from pride or from propriety, or from a mixture of both, philosopher Fichte seemed to have held in very small account the patronage with which he was favoured at the hands of the twin aesthetical dictators, the Castor and Pollux of romantic criticism; and, strange enough also, poet Goethe, who had worship enough in his day, and is said to have been somewhat fond of the homage, chimes in to the same tune thus: "the Schlegels, with all their fine natural gifts, have been unhappy men their life long, both the one and the other; they wished both to be and do something more than nature had given them capacity for; and accordingly they have been the means of bringing about not a little harm both in art and literature.
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