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Updated: June 4, 2025


"Oh, Romie," cried Juliet, with a shudder, "we don't have to go and tell 'em, do we? We don't have to take strangers into our consciences, do we?" "Certainly," replied Romeo, sternly. "Just because we don't want to do it is why we've got to. We've got to do hard things when we make a sacrifice. Lots of people think they're charitable if they give away their old clothes and things they don't want.

Their own unopened letter lay on the library table, with many others. Subdued and chastened in demeanour, they went to Madame Bernard's and waited in funereal silence until Madame came down. "How do you " she began, then stopped. "Why, what is the matter?" "We ran over him," explained Romeo, suggestively inclining his head in the general direction of Kent's. "Don't you remember?"

Thus the hearts are riven and partners are found holding the ends of the same string. As the guests assemble for the Valentine party, give each gentleman a slip of paper bearing the name of a woman, and the ladies, the name of some man, noted in fiction as lovers. Thus the one who has Romeo hunts for the lady who has Juliet on her paper.

Lord Henry peered through his opera-glass, murmuring, "Charming! charming!" The scene was the hall of Capulet's house, and Romeo in his pilgrim's dress had entered with Mercutio and his friends. The band, such as it was, struck up a few bars of music, and the dance began. Through the crowd of ungainly, shabbily-dressed actors, Sibyl Vane moved like a creature from a finer world.

Now and again, as one of the frequent chairs glided past me, I wondered if its shadowy freight were the ghost of poor Romeo. I felt sure that the traditional account of his debut was mainly correct. How could it, indeed, be false? Tradition is always a safer guide to truth than is the tale of one man. I might amuse myself here, in Bath, by verifying my notion of the debut or proving it false.

There was the shattered stock of the very matchlock with which Shakespeare shot the deer on his poaching exploits. There, too, was his tobacco-box, which proves that he was a rival smoker of Sir Walter Raleigh: the sword also with which he played Hamlet; and the identical lantern with which Friar Laurence discovered Romeo and Juliet at the tomb.

On the stage he had remained for another eighteen months; had played all roles, from "Romeo" to "Paul Pry," had helped to paint the scenery, had assisted in the bill-posting. The latter, so he told me, he had found one of the most difficult of accomplishments, the paste-laden poster having an innate tendency to recoil upon the amateur's own head, and to stick there.

And Minerva had five puppies, and if each of the five should follow the maternal example, and if each of those should do likewise Juliet fairly lost her head in a maze of mental arithmetic. "We ought to go into deep mourning," Romeo was saying. "I've been thinking of that. We should repent in sackcloth and ashes, only I don't know what sackcloth is."

It is believed by some scholars that in the second quarto edition of Romeo and Juliet, published in 1599, Shakespeare's revising hand can be seen, and that the differences between the first and second editions show the amendments, additions, and corrections with which Shakespeare saw fit to embellish his work in preparing it for the press.

Priscilla lifted her head and kissed her. She knew quite well that she had led whither Froggy could not follow. But the knowledge did not hurt her. She called Romeo, and went out into the summer sunshine, with a smile half tender and half humorous at the corners of her mouth. Poor Froggy! "I think we will go for a picnic, Romeo," said Priscilla.

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