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If you ask me to give you a notion how to make a good shield, and my notion pleases you, would you ask me, or another smith, to make it for you? If you ask another, he may make a good shield, but it would not be the same as that which I should have made, and the description of which contented you. Cola di Rienzi has proposed a Code of Law that shall be our shield.

I found that at every performance of Rienzi Reissiger became more negligent in his conducting, and that the whole production was slipping back into the old familiar, expressionless, and humdrum performance; and as my appointment was already mooted, I had asked permission to conduct the sixth performance of my work in person.

Nothing is happening here. D. showed me your letter about "Rienzi", and I am thankful to you for having behaved in so accommodating and generous a manner. Before that it would be useless. Have you heard anything from Seebach? Madame Kalergi will be the best and most useful intercessor you could employ in this matter. May everything succeed to your heart's desire. Your

As yet I have said nothing about his acquaintance with Liszt. It began at this time, and of course was destined to have wonderful results, but for the moment it was of no importance. Wagner was an unknown composer; Liszt was a world-famous pianist. Wagner, moreover, had written only Rienzi and the Dutchman, and was unable even to play them on the piano.

The star-seers tell us that we feel a secret and uncontrollable antipathy to those whose astral influences destine them to work us evil; such antipathy do I feel for yon fair-faced homicide. Cross not my path, Montreal! cross not my path!" With this soliloquy Rienzi turned within, and, retiring to his apartment, was seen no more that night. The Beginning of the End.

In spite of the acknowledged success of 'Rienzi, Wagner's enemies were never tired of repeating that, like Monteverde, he had invented a new system because he could not manipulate the old. It seems hardly possible to us that musicians could ever have been found to deny that the composer of 'Die Meistersinger' was a consummate master of counterpoint.

Repairing to Perugia, he had, as we have seen, procured, through the brothers of Montreal, men and money for his return. But the Knight of St. John was greatly mistaken, if he imagined that Rienzi was not thoroughly aware of the perilous and treacherous tenure of the support he had received.

Of all those who attended his person, Angelo Villani was the most favoured; that youth who had accompanied Rienzi in his long exile, had also, at the wish of Nina, attended him from Avignon, through his sojourn in the camp of Albornoz.

"I think," said Rienzi, "to have often heard, that thou art an orphan?" "True, my Lord; the old Augustine nun who reared my boyhood, has told me again and again that my parents are dead. Both noble, my Lord; but I am the child of shame. And I say it often, and think of it ever, in order to make Angelo Villani remember that he has a name to win."

"They will welcome gladly, then, the assurance that such hirelings shall be in their service not against them; and as much as you desire for the revolution, so many shall you receive." "But the pay and the conditions," said Rienzi, with his dry, sarcastic smile. "How shall we arrange the first, and what shall we hold to be the second?" "That is an affair easily concluded," replied Montreal.