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Updated: May 23, 2025


It was a curious fact that he, who was afterwards so eminent, was then held wholly secondary in interest to his handsome brother Burrill, whose Raphaelesque face won all hearts, and who afterwards disappeared from view in England. But if I did not see much of Brook Farm on the spot, I met its members frequently at the series of exciting meetings for Social Reform in Boston."

None of them had Raphael's genius, yet all wished to paint like him; so that for the following fifty years Rome and Florence and Southern Italy were flooded with inferior Raphaelesque paintings, which tended to become more slip-shod in execution as time went on, and more devoid of any personal note.

It is possible that the favourite pupil of his father and Ridolfo's own friend may have assisted him. The landscape is Raphaelesque, and might mark the time when that master and Fra Bartolommeo influenced his style. His best manner approached so nearly to that of the Frate, that had he continued he would have very nearly rivalled his excellence.

It was also that the Giorgionesque in conception and style was the outcome of the moment in art and life, just as the Pheidian mode had been the necessary climax of Attic art and Attic life aspiring to reach complete perfection in the fifth century B.C.; just as the Raphaelesque appeared the inevitable outcome of those elements of lofty generalisation, divine harmony, grace clothing strength, which, in Florence and Rome, as elsewhere in Italy, were culminating in the first years of the Cinquecento.

Learn that line by heart and act, at all events for some time to come, upon Velasquez' opinion in that matter. Titian is much the safest master for you. Raphael's power, such as it characters in his mind; it is "Raphaelesque," properly so called; but Titian's power is simply the power of doing right. Whatever came before Titian, he did wholly as it ought to be done.

A Flemish weaver, Jean Duval, started the work there in 1540. Until 1552 he and his three sons laboured together with great results, and they left a large number of craftsmen to follow in their footsteps. In Italy the art had almost died out in the early sixteenth century, but revived in full and florid force under the Raphaelesque influence.

In this recumbent attitude, so full of careless grace, the charming proportions of her figure were seen to advantage beneath a watered green dress, while a broad collar, fastened with a rose-colored satin bow, and fine lace cuffs, prevented too strong a contrast between the hue of her dress and the dazzling whiteness of the swan-like neck and Raphaelesque hands, imperceptibly veined with tiny azure lines.

It has however this objection. Judgment by such agreement is bound to be cumulative. What is good in the beginning is better to-day, still better to morrow, then great, then wonderful, then divine. This is the Raphaelesque progression, and if fifty persons were asked who was the greatest painter, forty-nine would say Raphael, without discrimination.

I sat down, but it was only for the purpose of observing him an instant; I saw it was time I should return to my sister. Miss Spencer's cousin was a queer fellow. Nature had not shaped him for a Raphaelesque or Byronic attire, and his velvet doublet and naked neck were not in harmony with his facial attributes.

Almost everything specifically Raphaelesque in his work is the offspring of that power of design in which he is still the unapproached master. Modern criticism is right in denying that he was a draughtsman, if by draughtsman is meant one deeply preoccupied with form and structure for its own sake.

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