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Updated: May 4, 2025


Clearly, Rameau was afraid of another attack from some implacable enemy whom he was anxious to avoid one against whom he feared legal complaint or defense would be useless. This brought me at once to the paper found on the floor. If this were the work of Goujon and an open reference to his tortoise, why should he be at such pains to disguise his handwriting?

Rousseau continues to reproach Rameau with a too powerful instrumentation, compared with Italian simplicity, and sums up that nobody knew better than Rameau how to conceive the spirit of single passages and to produce artistic contrasts, but that he entirely failed to give his operas "a happy and much-to-be-desired unity."

"A Christian, I hope. For several generations we have been on the other side. But I am not unmindful of good works or good lives." Père Rameau bowed his head. "What I wished to talk about was a little girl," St. Armand began, after a pause. "Jeanne Angelot, I have heard her called." "Ah, Monsieur, you know something about her, then?" returned the priest, eagerly. "No, I wish I did.

When hawks and nightingales fly together the hawk may escape, and the nightingale complain of the barbarity of kings, in a cage: 'flebiliter gemens infelix avis." "He is not fit to conduct a journal," replied Rameau, magniloquently, "who will not brave a danger for his body in defence of the right to infinity for his thought." "Bravo!" said Mrs. Morley, clapping her pretty hands.

The destitution of the household had been carefully concealed from the parents of Gustave Rameau, until, one day, Madame Rameau, entering at the hour at which she generally, and her husband sometimes, came for a place by the fireside and a seat at the board, found on the one only ashes, on the other a ration of the black nauseous compound which had become the substitute for bread.

How is my ex-editor poor Gustave Rameau?" "Still very weak, but on the mend. You may have him back in his office soon." "Impossible! even in his sick-bed his vanity was more vigorous than ever. He issued a war-song, which has gone the round of the war journals signed by his own name.

Can either you or I desire that the destinies of France shall be swayed by coxcombical artisans who think themselves superior to every man who writes grammar, and whose idea of a common- wealth is the confiscation of private property?" Rameau, thoroughly puzzled by this discourse, bowed his head, and replied whisperingly, "Proceed. You are against the Empire, yet against the populace!

It is true my composition, unequal and without rule, was sometimes sublime, and at others insipid, as that of a person who forms himself in an art by the soarings of his own genius, unsupported by science, must necessarily be. Rameau pretended to see nothing in me but a contemptible pilferer, without talents or taste.

Rameau placed himself beside Isaura on the divan, and began talking with her earnestly, earnestly, for it was about himself and his aspiring hopes.

"The fault with many students, however, is the very erroneous idea that genius or talent will take the place of study and work. They minimize the necessity for a careful painstaking consideration of the infinite details of technic. To them, the significance of the developments of Bach, Rameau, and Scarlatti in fingering means nothing. They are content with the superficial.

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