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Updated: June 2, 2025


Everything is very neat about him and very quiet, so that you would hardly think he was an artist after all; and he talks but little, though he can talk very well when he likes, for he has not forgotten his Dante nor his Leopardi. De Pretis says the reason he sings so well is because he has a mouth like the slit in an organ pipe, as wide as a letter-box at the post-office.

One night, as Nino walked homeward with De Pretis, who had come to supper with us, he induced the maestro to go out of his way at least half a mile, to pass the Palazzo Carmandola. It was a still night, not over-cold for December, and there were neither stars nor moon. As they passed the great house Nino saw a light in Hedwig's sitting-room the room where he gave her the lessons.

De Pretis took an extra pinch of his good snuff, when he thought that his liberal ideas might yet be realised, and a man from the people marry a great lady by fairly winning her. Do not, after this, complain that I have left you in the dark, or that you do not know how it happened. It is as clear as water, and it was about four months from the time Nino saw Hedwig in St.

But the maestro paid no attention, and went on with the scale, hardly giving Nino time to breathe. Nino, who stood behind De Pretis while he sang, saw the copy of Bordogni's solfeggi lying on a chair, and managed to slip it under a pile of music near by, singing so lustily all the while that the maestro never looked round.

He conjured him to go to Hedwig and explain that the baroness had threatened to unmask him, and thus deprive him of his means of support, he dared not put it otherwise, unless he consented to sing for her and come to her as often as she pleased. To explain, to propitiate, to smooth, in a word, to reinstate Nino in her good opinion. "Death of a dog!" exclaimed De Pretis; "you do not ask much!

This was the plan that had instantly formed itself in Nino's brain. De Pretis is really a most obliging man, but one cannot wonder that he should be annoyed at the result of Nino's four months' courtship under such great difficulties, when it seemed that all their efforts had led only to the sudden departure of his lady-love. As for me, I advised Nino to let the whole matter drop then and there.

When he got to the end of the scale Ercole began hunting for the music, and as he could not find it, Nino asked him questions. "Can she sing, this contessina of yours, maestro?" De Pretis was overturning everything in his search. "An apoplexy on those solfeggi and on the man who made them!" he cried. "Sing, did you say? Yes, a great deal better than you ever will.

As for the cowl in the last act, De Pretis has a brother who is a monk, and between them they put together a very decent friar's costume; and Mariuccia had a good piece of rope which Nino used for a girdle. "What does it matter?" he said, with much good sense.

He would never have been so famous as he is now, and he really knows so much more than Maestro De Pretis in other ways than music that he is very presentable indeed. What is blood, nowadays? What difference does it make to society whether Nino Cardegna, the tenor was the son of a vine-dresser?

Nino put on his hat gloomily enough, and prepared to go. "I will take the guitar, if you will lend it to me," he said. "Yes, if you like, and I will give you a handkerchief to wrap it up with," said De Pretis, absently, but he did not get up from his seat. He was watching Nino, and he seemed to be thinking. Just as the boy was going with the instrument under his arm he called him back.

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