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Updated: May 5, 2025
But they are the work of a man who in the first place was very slightly acquainted with the literature and antecedents of his subject, who in the second was distinctly non compos on the critical, though admirably gifted on the creative side of his brain, and who in the third had the ill luck to fall under the fullest sway of the Ossianic influence.
"You're devilish scrupulous, Gus," said Bob, who, if left to himself, would have stuck in the names of the heathen gods and goddesses, or borrowed his directors from the Ossianic chronicles, rather than have delayed the prospectus. "Where the mischief are we to find the men? I can think of no others likely to go the whole hog; can you?"
Such records are very numerous among the great prairie tribes; they bear sometimes the Ossianic type, and are related every evening during the month of February, when the "Divines" and the elders of the nation teach to the young men the traditions of former days. "It was in the time of a chief, a great chief, strong, cunning, and wise, a chief of many bold deeds. His name was Mosh Kohta.
Even David, the painter, said he would set the torch to the opera-house rather than witness the triumph of a king. In 1806 Méhul produced the opera "Uthal," a work of striking vigor founded on an Ossianic theme, in which he made the innovation of banishing the violins from the orchestra, substituting therefor the violas.
There are few women, we suppose, who have not seen something of children under five years of age, yet in “Compensation,” a recent novel of the mind-and-millinery species, which calls itself a “story of real life,” we have a child of four and a half years old talking in this Ossianic fashion: “‘Oh, I am so happy, dear grand mamma;—I have seen—I have seen such a delightful person; he is like everything beautiful—like the smell of sweet flowers, and the view from Ben Lemond;—or no, better than that—he is like what I think of and see when I am very, very happy; and he is really like mamma, too, when she sings; and his forehead is like that distant sea,’ she continued, pointing to the blue Mediterranean; ‘there seems no end—no end; or like the clusters of stars I like best to look at on a warm fine night. . . . Don’t look so . . . your forehead is like Loch Lomond, when the wind is blowing and the sun is gone in; I like the sunshine best when the lake is smooth. . . . So now—I like it better than ever . . . It is more beautiful still from the dark cloud that has gone over it, when the sun suddenly lights up all the colors of the forests and shining purple rocks, and it is all reflected in the waters below.’”
Soon we broke new ground, for James had by heart not only the Fenian or Ossianic cycle, but also the older Sagas of Cuchulain.
The literature of the masses of the people was pretty equally composed of the legends of the Saints and the older Ossianic legend, so much misunderstood and distorted by modern criticism. The legends of the former class were chiefly wonders wrought by the favourite Saints of the district or the island, embellished with many quaint fancies and tagged out with remnants of old Pagan superstition. St.
Alleged translator of the Ossianic poems, s. of a small farmer at Ruthven, Inverness-shire, studied for the Church at Aberdeen and Edin., became teacher of the school in his native parish, and afterwards tutor in a gentleman's family. In 1758 he pub. The Highlander, an ambitious poem in 6 cantos, which, however, attracted no attention.
For the calm, guarded, and sternly courteous language which governments had long been accustomed to employ, were substituted puns, interjections, Ossianic rants, rhetoric worthy only of a schoolboy, scurrility worthy only of a fishwife.
In the Ossianic legend we have the common stock of Oriental ideas the metamorphosis of guilty wives and haughty concubines into dogs and birds; the speaking beasts and fishes; the enchanted swans, originally daughters of Lir; the boar of Ben Bulben, by which the champion, Diarmid, was slain; the Phoenix in the stork of Inniskea, of which there never was but one, yet that one perpetually reproduced itself; the spirits of the wood, and the spirits inhabiting springs and streams; the fairy horse; the sacred trees; the starry influences.
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