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Updated: May 26, 2025


The leading concerts of the time did not balk at performing large vocal works, as they too often do to-day to the great detriment of the variety of their programmes. We then thought that we were at the beginning of the prosperity of French oratorio which only needed encouragement to flourish. I read by chance in an old Bible this wonderful phrase,

Ellison, she made conditions that the gentleman who had met them at the oratorio should not be let in. Indeed, this circumspection proved unnecessary in the present instance, for no such visitor ever came; a circumstance which gave great content to Amelia; for that lady had been a little uneasy at the raillery of Mrs.

The aspect of Exeter Hall on an oratorio night is one of the grandest things in London. The vastness of the assemblage, the great mountain of performers, crested by the organ, and rising almost to the ceiling, are thoroughly impressive, while the first burst of the opening chorus is grand in the extreme. The oratorio is, in fact, the Opera of the 'serious' world.

And the probability is, that Master Sadler acted like most people who, when they suppose a man to be going down in the world, feel their respect for him sensibly decaying, and think it wise to trample him under foot, provided only in that act of trampling they can squeeze out of him their own individual debt. Like that terrific chorus in Spohr's oratorio of St.

The Festival of 1891 saw the production of two important new works, namely, Stanford's dramatic oratorio "Eden" and Dvorak's "Requiem Mass." With respect to these compositions, they have scarcely been heard, I think, since their initial performances. Stanford's "Eden" contains some fine writing, but there was, perhaps, too much of it.

Handel, at any rate, was sufficiently impressed to ask Morell to find another Jewish subject for his next oratorio; this was Alexander Balus, produced the following year. Gluck called on Handel, who told someone that he knew no more of counterpoint than his cook.

From London the singer made a tour of the provinces, where she repeated the remarkable successes of the capital. At the various musical festivals, she created an almost unprecedented reputation in oratorio.

It may have been a regretful feeling that he had disappointed his father by not marrying which led him, after the latter's sudden death in November, 1835, to consider the matter more seriously. He hastened to Berlin to his mother, and then returned to Leipsic, where he had charge of the famous Gewandhaus concerts. He settled down to work again, and especially to finish his oratorio of "St. Paul."

Princess Anne wished to see it on the stage of the opera-house but the Bishop of London forbade a dramatic performance. As the bishop's ban was ultimately the cause of Handel's turning his attention to oratorio in preference to opera, it has sometimes been suggested that Handel might have created a new type of national English opera on biblical subjects if only his lordship had not interfered.

At that point it was that life for her began. A new scene passed before her eyes. It was the Manse parlour, the music professor with dirty, claw-like fingers but face alight with rapturous delight playing for her while she sang her first great oratorio aria.

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