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Updated: May 26, 2025
Esther and Deborah were performed, as well as the Utrecht Te Deum and Jubilate, and the Coronation Anthems; Handel further provided a new oratorio, Athaliah. The degree he refused to accept, for what reason has never been explained. Various suggestions have been offered.
I always curl myself up and go to sleep when I've got nothing better to do, and I count the capacity a precious gift; besides, I will let you into a secret worth your heads: it improves your looks immensely after you've been gadding about for a number of days, and horribly dissipated in dancing of nights at Christmas, or in the oratorio week, or if you are in a town when the circuit is sitting not present as a prisoner, Conny."
In the spring of 1883 he began to compose music, and in 1885 we published together an album of minuets, gavottes, and fugues. This led to our writing Narcissus, which is an Oratorio Buffo in the Handelian manner that is as nearly so as we could make it. It is a mistake to suppose that all Handel's oratorios are upon sacred subjects; some of them are secular.
Like Archimedes of old, he toiled serenely at his appointed work, while the political order of things was crumbling before the genius and energy of the Corsican adventurer. In 1798 he completed his great oratorio of "The Creation," on which he had spent three years of toil, and which embodied his brightest genius.
Handel, whose glorious melodies entranced the senses, produced the grand oratorio of the "Messiah," which is still performed in both Protestant and Catholic cathedrals; and Graun, with whom Frederick the Great played the flute, brought private singing into vogue by his musical compositions. Gluck was the first composer who introduced the depth and pathos of more solemn music into the opera.
But then he sat down at his piano at home, and played an adagio of Beethoven or an impromptu by Schubert, his eyes with fine frenzy rolling in the meantime. And when the mighty chorus in a Bach oratorio resounded, he became pale with ecstasy. At the hearing of a good song well sung he could shed copious tears. He idolised music. He was a provincial with unfettered instincts.
M. Bochsa some years afterward produced "Mosé" as an oratorio in London, and it failed. A new libretto, however, "Pietro L'Eremito,"* again transformed the music into an opera. * The same music was set to a poem founded on the first crusade, all the most effective situations being dramatically utilized for the Christian legend.
On the evening of the 24th of December, Napoleon was going to the Opera, to hear Haydn's Oratorio of the Creation, which was to be performed for the first time. Intensely occupied by business, he was reluctant to go; but to gratify Josephine, yielded to her urgent request. It was necessary for his carriage to pass through a narrow street.
The style of Beethoven as a composer of sacred music is reflected in his single oratorio "Christ on the Mount of Olives," that like his single opera stands apart, amply sufficient to prove what he was capable of accomplishing. Mendelssohn, in his "St.
Ortensia heard his voice through the door, and listened, half dressed, with a happy smile; for she knew the moods of his genius better than he knew them himself, and she understood that the song he was weaving with voice and lute would be worthy of him, as it is; for in the growth of music, the fine art, his masterpiece of oratorio are left behind and forgotten, being too thin and primitive for an age that began with Beethoven and ended in Richard Wagner; but his songs have not lost their hold on those simpler natures that are still responsive to a melody and vibrate to a perfect human voice.
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