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Updated: May 12, 2025
And again: "Where else has music won so infinitely rich an individuality, been able to characterize so surely, so definitely, and in such exuberant plenitude, as here?" Mozart composed "Don Giovanni" for the Italian Opera at Prague, which had been saved from ruin in the season 1786-1787 by the phenomenal success of "Le Nozze di Figaro."
Throughout the nozze he took the lead in a grand imperious fashion of his own. Wherever he went, he seemed to fill the place, and was fully aware of his own importance. In Florence I think he would have got the nickname of Tacchin, or turkey-cock. Here at Venice the sons and daughters call their parent briefly Vecchio.
Music has undergone a greater revolution within the last century than any other art in thrice the period, yet "Don Giovanni" is as much admired now as it was in the last decade of the eighteenth century, and, indeed, has less prejudice to contend with in the minds of musicians and critics than it had when it was in its infancy, and I confidently believe that to its score and that of "Le Nozze di Figaro" opera writers will soon be turning to learn the methods of dramatic characterization.
I have listened with rapture to the grand scena in the opera 'Le Nozze di Teti e di Peleo, which the villain Francesco Cavalli has cribbed from you and given out as his own. If you would be good enough to sing me that aria during the time that I am setting the spinett to rights, I cannot imagine anything more delightful that could happen to me."
An esoteric band of fabulous monsters these: harpies and vampires take tea at Sherry's; succubi and incubbi are observed buying opal rings at Tiffany's; fairies, angels, dwarfs, and elves, bearing branches of asphodel, trip lightly down Waverly Place; peris, amshaspahands, æsir, izeds, and goblins sleep at the Brevoort; seraphim and cherubim decorate drawing rooms on Irving Place; griffons, chimeras, and sphynxes take courses in philosophy at Harvard; willis and sylphs sing airs from Lucia di Lammermoor and Le Nozze di Figaro; naiads and mermaids embark on the Cunard Line; centaurs and amazons drive in the Florentine Cascine; kobolds, gnomes, and trolls stab, shoot, and poison one another; and a satyr meets the martichoras in Gramercy Park.
Throughout the nozze he took the lead in a grand imperious fashion of his own. Wherever he went, he seemed to fill the place, and was fully aware of his own importance. In Florence I think he would have got the nickname of Tacchin, or turkey-cock. Here at Venice the sons and daughters call their parent briefly Vecchio.
The voice and instrumental partbooks were edited by Malvezzi, and published at Venice in 1591 under the title "Intermedii e concerti, fatti per la commedia rappresentata in Firenze nelle nozze del Ferdinando Medici e Madama Cristiana di Lorena."
These subjects, so important and so picturesque, are reserved till we enter upon the History of Christ. Ital. Le Nozze di Cana. Fr. Les Noces de Cana. Ger. Die Hochzeit zu Cana.
And since all great art is classical, Mozart's two melodramas, Don Giovanni and the Nozze di Figaro, though the one is tragic and the other comic, are twin-sisters, similar in form and feature.
Her appearance was highly attractive, for she possessed a finely molded figure of middle height, and a face expressive, winning, and strongly marked. She further appeared as Odabella in "Attila," and as Lucrezia in "I Due Foscari," both of which performances were very warmly received. During the season she also sang in "Nino," "Lucrezia Borgia," "Il Barbiere," and "Nozze di Figaro."
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