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Updated: May 13, 2025
Dill and her husband, Myron, grown middle-aged together, and yet, even through the attrition of the years, no more according in temperament than at the start, sat on opposite sides of the hearth and looked at each other, he with calmness, from his invincible authority, and she fluttering a little, yet making no question but of a dutiful concurrence.
"I know a land far, far away, Where winter is as warm as May." He waved a wing and winked an eye, And off he flew, "Good-bye, good-bye!" All the children except Tommy clapped their hands when Luella finished. It did indeed sound sweet and she spoke it very prettily, waving her hand and winking her own eye at the end. Rosanna and Myron felt that their time had come.
The French statesmen, however, were so fond of Myron T. Herrick that they apparently not only grasped his cordiality but understood perfectly his eloquence. The honor has several times been assigned to me of making the American speech in unadulterated American.
Myron inquired, making sure. "Save a tree," Oliver confirmed. "Right." A twinkle quickly disappeared. "Right." Oliver walked up Congress Street. He saw a rack of postcards in an art supplies store window. I ought to send Muni a card, he thought. There weren't any that he liked, however. Maybe at the Museum. Christmas decorations were already appearing. It was going to be a busy holiday.
You can take them to her just as you meant to, and I know she will like them because her little brother went without to save some for her. And some day soon, Myron, we will bring her a whole picnic for herself, and perhaps she will ask you to help her eat it." "I'll help her too," said Tommy, puffing up his chest. "I'd just as soon!"
It was not possible for me to begin this enterprise myself, and in speaking to Myron A. Waterman, of the Savings Bank of Kansas City, Kansas, he suggested that the "Associated Charities" of Kansas City, Kansas, would put it to the use I intended. I liked the idea.
The figures have not the calm stateliness of bearing which characterizes those of the Parthenon frieze, but instead exhibit a wild vehemence of action which is, perhaps, directly due to the influence of Myron. Another pupil of Ageladas, a somewhat younger contemporary of Pheidias, was Polycleitos. He excelled in representations of human, bodily beauty.
"Yes, yes," said her husband. "I know that. What's the use o' goin' back over the ground, and tellin' me things I know as well as you do? What if 'tis thirty year? Time we got into better quarters." "But they ain't better. Only it's more work." Myron got up and moved back his chair. "I don't think o' movin' till long about the middle o' May," he rejoined.
In particular we can learn this from the case of the sculptors and painters of antiquity. Those among them who were marked by high station or favourably recommended have come down to posterity with a name that will last forever; for instance, Myron, Polycletus, Phidias, Lysippus, and the others who have attained to fame by their art.
"Well," he said at length, "I guess you need a kind of a change. You'll feel better when you get over to t'other house. There's a different outlook over there, and you'll have more to take up your mind." She answered instantly, in the haste that dares not wait upon reflection. Her eyes were brighter now, and her hands worked nervously. "Oh, I ain't goin' to move, Myron.
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