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The quay promenade brings you to the old Steen Castle, and the Town Hall with its salle des marriages, its mural paintings by the industrious Baron Leys frigid in style and execution will repay you for the trouble. The vestibules and galleries are noteworthy.

"Or a man," he answered after a momentary meditation. So it was Lewisham enrolled his first ally in the cause of the red tie of the red tie and of the Greatness that was presently to come. His first ally; for hitherto save for the indiscretion of his mural inscriptions he had made a secret of his private ambitions.

In both of the side aisles there are saintly shrines, alternating with mural monuments, some of which record names as illustrious as any in the world. As you enter, the first monument, on your right is that of Michael Angelo, occupying the ancient burial-site of his family.

The next palace, with dark-blue posts, gold-topped, and mural inscriptions, also belonged to the Mocenigo, and here Giordano Bruno was staying as a guest when he was betrayed by his host and burned as a heretic. Then comes the dark and narrow Calle Mocenigo Casa Vecchia.

The fine Gothic chapel where we heard our pasteur preach was whitewashed out of all memory of any mural decoration that its earlier religion may have given it; but the gloss of the whitewash was subdued by the dim light that stole in through the long slits of windows.

Still, as you have come, make yourselves at home, and take pot luck. I think when you've examined everything, you'll admit that you haven't a Soul-House in Europe to touch mine which, if I do say it, is the best thing this side of Thebes." Next came the Tomb of Thi; but by this time, mural representations of fish, flesh, and fruit began to be aggravating.

In my opinion Whistler was perfectly right when he said that if a mural decorator couldn't make modern life pictorial he didn't know his business. Flying through the air is only one of many wonders in the life of today that cry out for expression in art; but you scarcely catch a note of them here." "For example?" said the painter.

I presume I was sufficiently minute in describing my first visit to the chapels, so I shall only mention the stiff figure of a lady of Queen Elizabeth's court, reclining on the point of her elbow under a mural arch through all these dusty years; . . . . and the old coronation-chair, with the stone of Scone beneath the seat, and the wood-work cut and scratched all over with names and initials. . . . .

The painters of that period, as is proved by Sebastiano's practice, by Lionardo da Vinci's unfortunate innovations at Florence, and by the experiments of Raffaello's pupils in the hall of Constantine, not unfrequently invented methods for mural decoration which should afford the glow and richness of oil-colouring.

A series of mural paintings, in the vivid coloring and superb technique of Maxfield Parrish, adorned the walls of the room. They portrayed the history of Alcohol from the dawn of time down to the summer of 1919. A space for one more painting was left blank, and Mr. and Mrs. Quimbleton concluded that the artist was still at work upon the final panel.