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Updated: May 18, 2025


Both MM. Pauwels and Delbeke, the mural painters, then engaged in the decorations of the Cloth Hall, joined in protests to the authorities against their neglect of this remarkable example of medieval construction, but all these petitions were pigeonholed, and nothing resulted but vain empty promises, so the matter rested, and now this beautiful house has vanished forever.

He produced a catalogue of 2,935 stars. He supplied Sir Isaac Newton with results of observation required in his theoretical calculations. He died in 1719. Halley succeeded Flamsteed to find that the whole place had been gutted by the latter's executors. In 1721 he got a transit instrument, and in 1726 a mural quadrant by Graham.

There were also mural monuments and escutcheons, and close against the wall lay the mutilated statue of a Crusader, with his legs crossed, in the style which one has so often read about. The old fellow seemed to have been represented in chain armor; but he had been more battered and bruised since death than even during his pugnacious life, and his nose was almost knocked away.

Common tinsel was cheek by jowl with handsome silver, and while a few of the many mural decorations and paintings were good, most of them were atrocious glorified chromos of simpering saints with preternaturally large eyes, more nearly resembling advertisements for a hair dye or complexion bleach than ecclesiastical subjects.

He recognised the importance of rigidity in the instruments, and, whereas these had generally been made of wood, he designed them in metal. His instruments included armillae like those which had been used in Alexandria, and other armillae designed by himself sextants, mural quadrants, large celestial globes and various instruments for special purposes.

It has the merit, however, of indicating a moment in the evolution of the project when the mural scheme had been adopted. The decorative details which surmount the composition confirm the feeling every one must have, that, in their present state, the architecture of the Medicean monuments remains imperfect.

Monuments, mural and others, to long-departed worthies, and images of the Savior, the Virgin, and saints, were numerous everywhere about the church; and in the chancel there was a great deal of quaint and curious sculpture, fencing in the Holy of Holies, where the high altar stands.

Below this is found the Archaean rock. It is hard for any but the well-trained observer to realize that practically the same conditions that exist on the north wall, exist on the south wall, directly under his feet, except that the Algonkian is absent. The talus shuts off the view, and it seems impossible that there can be such great precipice walls as the opposite mural face reveals.

There are no remains of other buildings which would enable us to form an opinion as to the civic architecture of the Etruscans: they must, however, have attained to a considerable skill in sculpture, as in some of the tombs figures are represented in high relief which show no small power of expression. They, too, like the Egyptians, embellished their tombs with mural paintings.

We have now the whole sweep of the mural precipice opposite; the sun's glitter is incessant on the polished stone; the trees which fringe the bottom appear now scarcely more than shrubs; the entrance of the tunnel has now come into view, and that which yesterday we thought so high and wide, now appears, from our amazing height, as a stooped door-way.

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