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Updated: May 26, 2025


The worst of it was that these declarations were apt to bring the conversation to an end; so Fabrice was sparing of them. Clelia, meanwhile, was in sore perplexity. Her father, General Fabio Conti the governor, was a political opponent of Count Mosca, and had ambitions of office. These ambitions might be forwarded, he deemed, by the successful marriage of his daughter.

But, as a matter of history, the proceedings of Mosca upon that eventful day were of the greatest possible interest to Signorina Castaneve. Donna Matura, trust her, had not failed to report his first appearance, stork-like, in the Borgo. Captain Mosca, honest man, made a preposterous accomplice.

In Stendhal's novel, La Chartreuse de Parme, it is with a very profound intuition that Count Mosca, furious with jealousy because of the love which he believes unites the Duchess of Sanseverina with his nephew Fabrice, is made to say, "I must be calm; if my manner is violent the duchess, simply because her vanity is piqued, is capable of following Belgirate, and then, during the journey, chance may lead to a word which will give a name to the feelings they bear towards each other, and thereupon in a moment all the consequences will follow."

The weeping willows themselves fountains of green sprayed over a stone seat. The place bore signs of an honourable past; it was falling now gently to a comely decay; but it answered every purpose. All promised well. So much Captain Mosca was given to understand; yet it was hinted that his promises were not complete.

Finally, Julius III having been elected Pope in the year 1550, and all men thinking that work would be begun in earnest on the building of S. Pietro, Mosca went off to Rome and sought to obtain at a fixed price from the superintendents of that building the commission for some capitals of marble, but more to accommodate Gian Domenico, his son-in-law, than for any other reason.

"Now, Mosca, your lie," said the Count, with his cold-steel delivery. Mosca did not stumble. "Master," he said, "I can do you service." "Do it then," whipped in the Count. "I can tell your Excellence why he succeeds no better with La Bellaroba." "Ah!" The Count was suspicious, but interested. "The little lady has a lover." "Body of a dog!" "Body of Angioletto, Excellence." "Angioletto?

Meanwhile the work of the above-mentioned Chapel of the Visitation was not abandoned, and it was carried so far forward during the lifetime of Mosca, that there was nothing left to do save two birds, and even these would not have been wanting, had not M. Bastiano Gualtieri, Bishop of Viterbo, as has been related, kept Simone occupied with an ornament of marble in four pieces, which, when finished, he sent to France to the Cardinal of Lorraine, who held it very dear, for it was beautiful to a marvel, all full of foliage and wrought with such diligence, that it is believed to have been one of the best that Simone ever executed.

It was the hour of supper; the question was of a lodging. Captain Mosca knew an inn the "Golden Sword" where decent entertainment could be had for the night. As no one could deny what nobody knew anything about, it was decided. They sought and found the "Golden Sword," and put up with it, and in it. The supper party was, at least, merry, for Angioletto led it.

He deemed Fabrice, in short, a potential if not an actual liberal, and therefore dangerous. Nevertheless Count Mosca carried the day against his rivals a triumph due less to his own efforts than to those of the Duchess, to whose charms as the court's chief ornament the Prince was far from insusceptible.

The frescoes of Signorelli, the bas-reliefs of the Pisani, the statuary of Lo Scalza and Mosca, the tarsia of the choir stalls, the Alexandrine work and mosaics of the façade, the bronzes placed upon its brackets, and the wrought acanthus scrolls of its superb pilasters these are the objects for inexhaustible wonder in the cathedral of Orvieto.

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