Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 6, 2025
The walls of the rooms were paneled in a delicious color between yellow and tan, the wall proper and the moldings being this color, and the panels themselves filled with a gray paper painted in pinky yellows and browns. These panels were done by hand by a man who found his inspiration in the painted panels of an old French ballroom.
The carvings and moldings are pointed in blue. The floor is covered with a Persian rug which glows with all the soft tones of the old Persian dye-pots. The day bed, a few of the chairs, and the chest of drawers, are of a soft brown walnut. There are other chairs covered with Louis XVI tapestries, brocade and needlework, quite in harmony with the modern chintz of the day bed and the hangings.
The East Room was not thrown open, but the suite of drawing-rooms, which had been re-decorated and newly furnished, were much admired. The traditional colors of scarlet, blue, and green had been preserved, but the walls had been painted with gilt moldings, and the furniture was far more elegant than was that which it had replaced. There was also a profusion of rare flowers from the conservatory.
During the period of Louis XVI the rooms had rectangular panels formed by simpler moldings than in the previous reign, with pilasters of delicate design between the panels. The overdoors and mantels were carried to the cornice and the paneling was usually of oak, painted in soft colors or white and gilded. Walls were also covered with tapestry and brocade.
For many years after the Italian classic orders were brought to England by Inigo Jones, early in the seventeenth century, chimney pieces usually consisted merely of a mantel shelf and classic architraves or bolection moldings about the fireplace opening, the chimney breast above being paneled like the rest of the room.
"Isn't it a darling? Wouldn't it be simply ideal for us?" "It seems just right, and the view is splendid. There's a good deal that's paintable here." "Is there? I'm so glad. That makes it perfect. Look at the furniture, Stefan, every bit right." "And the moldings," he added. "All handcut, do you see? The whole place is actually old. What a lark!" He appeared almost as pleased as she.
The former is always the case when the surfaces are left plain with few divisions, or, if the surfaces are divided, when the lines intersect and intermingle, as is exemplified in late Renaissance or Baroque work, where the walls are covered with lavish ornament, the enframement of windows is broken by moldings and sculpture which carry into the surrounding spaces, and where, instead of embracing one story, the "orders" comprise the entire height of the building.
The necessity of painting the whole façade, in order to mask the nature of the material, gives the effect of enormous architectural decorations seen in open air. The salient parts, moldings, cornices, entablatures, consoles, are of wood, bronze, or cast-iron, to which suitable forms have been given; when you do not look too closely the effect is satisfactory.
This arch, which was about six feet wide and very low, had no door, but merely a velvet hanging, which was nearly always drawn up, leaving the arch uncovered. Under the hanging, among the moldings of the cornice, was a button that had only to be pressed to bring down the iron curtain against which he had thrown himself two hours before.
But her knees trembled so fearfully that, had she tried to move, she must have fallen. Sick and giddy, the flights of steps looked to her like a precipice. She could only lean for support against the gray-stone moldings of the door way, while tears, which for once she could not restrain, rushed to her eyes. Oh! If Tom or the professor, or some one would but come to her!
Word Of The Day
Others Looking