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The thing that first struck Nadia in Marfa Strogoff was the similarity in the way in which each bore her hard fate. This stoicism of the old woman under the daily hardships, this contempt of bodily suffering, could only be caused by a moral grief equal to her own. So Nadia thought; and she was not mistaken.

Lisa was astonished; she had never before seen her sensible and reasonable aunt in such a condition. "A pretty thing, miss," Marfa Timofyevna began in a shaking and broken whisper, "a pretty thing! Who taught you such ways, I should like to know, miss?... Give me some water; I can't speak." "Calm yourself, auntie, what is the matter?" said Lisa, giving her a glass of water.

"A hundred and one, a hundred and two, hearts, a hundred and three," sounded his voice in measured tones, and Lavretsky could not decide whether it had a ring of reproach or of self-satisfaction. "Can I see Marfa Timofyevna?" he inquired, observing that Panshin was setting to work to shuffle the cards with still more dignity. There was not a trace of the artist to be detected in him now.

Madame Kalitine sat down to cards with Marfa Timofeevna, Belenitsine, and Gedeonovsky, the latter of whom played very slowly, made continual mistakes, squeezed up his eyes, and mopped his face with his handkerchief.

"Any one else, in his place, would have scrupled to show himself in the world." "And why, I should like to know?" broke in Marfa Timofeevna. "What nonsense you are talking! A man comes back to his home. Where else would you have him betake himself? And, pray, in what has he been to blame?" "A husband is always to blame, madam, if you will allow me to say so, when his wife behaves ill."

Fo' de good Laud, dat's de time dey miss der cotch. Dis darky was done gone when dey comed. I know'd dey'd be dar sometime for dis cat, and Marfa, too. I tells you, dey want her, dey do. She know how to cook and do things, she do. Be a cole day when dey gits dis cat agin, sho's you born'd. "Aunt Martha came in and said to Ham: "'What you doin' heah, Ham?

The heart-broken old man soothed her, and at once sent off his own carriage for his daughter-in-law, for the first time giving her the title of Malanya Sergyevna. Malanya came with her son and Marfa Timofyevna, who would not on any consideration allow her to go alone, and was unwilling to expose her to any indignity. Half dead with fright, Malanya Sergyevna went into Piotr Andreitch's room.

Lisa bent forward, crimsoning and began to weep, but she did not make Marfa Timofyevna get up, she did not take away her hands, she felt that she had not the right to take them away, that she had not the right to hinder the old lady from expressing her penitence, and her sympathy, from begging forgiveness for what had passed the day before.

His mind went back to another queen of misfortune, to the Russian Marfa, the enemy of the city of Moscow, who maintained her defiance even in her chains, and, dying, directed the destiny of free Novgorod.

She could not endure Kalitin, and directly her niece married him, she removed to her little property, where for ten whole years she lived in a smoky peasants' hut. Marya Dmitrievna was a little afraid of her. A little sharp-nosed woman with black hair and keen eyes even in her old age, Marfa Timofyevna walked briskly, held herself upright and spoke quickly and clearly in a sharp ringing voice.