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Madame Kalitine arrived, accompanied by Gedeonovsky. Then came Marfa Timofeevna and Liza, and after them all the other members of the family. Afterwards, also, there arrived the lover of music, Madame Belenitsine, a thin little woman, with an almost childish little face, pretty but worn, a noisy black dress, a particolored fan, and thick gold bracelets.
Never had her face seemed to him more noble and charming. She appeared to great advantage in the presence of Madame Belenitsine. That lady was incessantly fidgeting on her chair, working her narrow shoulders, laughing affectedly, and either all but closing her eyes or opening them unnaturally wide. Liza sat still, looked straight before her, and did not laugh at all.
After Lavretsky's departure, Panshine grew animated. He began to give advice to Gedeonovsky, and to make mock love to Madame Belenitsine, and at last he sang his romance. But when gazing at Liza, or talking to her, he maintained the same air as before, one of deep meaning, with a touch of sadness in it. All that night also, Lavretsky did not sleep.
Madame Kalitine sat down to cards with Marfa Timofeevna, Belenitsine, and Gedeonovsky, the latter of whom played very slowly, made continual mistakes, squeezed up his eyes, and mopped his face with his handkerchief.
He was especially annoyed by Madame Belenitsine, who kept perpetually staring at him through her eye-glass. If it had not been for Liza he would have gone away at once. He wanted to say a few words to her alone, but for a long time he could not obtain a fitting opportunity of doing so, and had to content himself with following her about with his eyes It was with a secret joy that he did so.
Panshine assumed an air of melancholy, and expressed himself tersely, sadly, and significantly altogether after the fashion of an artist who has not yet had any opportunity of showing off but in spite of the entreaties of Madame Belenitsine, who coquetted with him to a great extent he would not consent to sing his romance. Lavretsky's presence embarrassed him.
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