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Updated: June 6, 2025
It was wasteful, pathetic, unfortunate. The months proceeded apace. A local election intervened and there was a new city treasurer, a new assessor of taxes, and a new mayor; but Edward Malia Butler continued to have apparently the same influence as before. The Butlers and the Cowperwoods had become quite friendly. Mrs.
They are a queer lot, these village players; supremely unself-conscious when actually acting, yet guilty of taking "calls" in the middle of a scene. If pressed, they probably would give an encore, and with a little urging Signora Mimi would yield to a cry of "bis" and give a repetition of her abominable, appalling, vastly clever fit in Malia, to please the friendly Britons.
The staircase led from Don Roberto's room to Doña Jacoba's; but the lady's all-seeing eyes were closed, and the master was snoring in his library. Malia tiptoed by both, and Elena, who had been half asleep, sat up, trembling with excitement, and read the impassioned request for an interview. She lifted her head and listened, panting a little. Then she ran to the door and looked into the library.
"And tell him to take her to perdition," roared the old man. "Never let me see her again." He went down the stair, filled a small bag with gold, and gave it to the doctor. He found Joaquin and bade him go for Dario, then shut himself in a remote room, and did not emerge until late that day. Doña Jacoba sent for the maid, Malia.
It was a big face, impressive, well modeled. He was an excellent friend of Edward Malia Butler's, as such friendships go, and his regard for Mark Simpson was as sincere as that of one tiger for another. He respected ability; he was willing to play fair when fair was the game. When it was not, the reach of his cunning was not easily measured.
The condition of the Republican party at this time in Philadelphia, its relationship to George W. Stener, Edward Malia Butler, Henry A. Mollenhauer, Senator Mark Simpson, and others, will have to be briefly indicated here, in order to foreshadow Cowperwood's actual situation. Butler, as we have seen, was normally interested in and friendly to Cowperwood. Stener was Cowperwood's tool.
It was to Edward Malia Butler that Cowperwood turned now, some nineteen months later when he was thinking of the influence that might bring him an award of a portion of the State issue of bonds. Butler could probably be interested to take some of them himself, or could help him place some.
The Chief Konukalani had just dragged away Malia by the hair of the head, and you and Anapuni sat on without protest in the circle of drinking. What was it Malia whispered in Anapuni's ear, bending over him, her hair hiding the face of him?" "That Kahekili was dead. That was what she whispered to Anapuni.
And still the question remains: how much of this success is due to the playwright's skill or to the skill of the actors? How is it that in this play the actors obtain a fine result, act on a higher level, than in their realistic Sicilian tragedies? D'Annunzio is no doubt a better writer than Capuana or Verga, and his play is finer as literature than "Cavalleria Rusticana" or "Malia."
Supposing they didn't? What of it? In Philadelphia at this time a certain United States Senator, one Mark Simpson, together with Edward Malia Butler and Henry A. Mollenhauer, a rich coal dealer and investor, were supposed to, and did, control jointly the political destiny of the city. They had representatives, benchmen, spies, tools a great company.
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