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He questioned "Ligeia" of it and she told him that it was none other than Al Aaraaf, the great star discovered by Tycho Brahe, which after suddenly appearing and shining for a few nights with a brilliancy surpassing that of Jupiter, disappeared never to be seen again; never except by him The Dreamer to whom it was given not only to gaze upon it from the far earth, but, with her as his guide, to visit it and to explore its fairy landscape where the spirits of lost sculptures enjoyed immortality.

There his wonderful dream-lady, "Ligeia," had seemed especially near to him, and often, when the day's work was done and he recognized her voice in the music of the waves or felt her kiss in the soft, southern air, blown across spicey islets, he would up and away with her across the world, on the moon's silver track; or on nights when no moon came up out of the sea, would wander with her through the star-sown sky.

The spell of this incomparable sorcerer was upon her imagination; the sluggish, lurid tarn of Usher; the pale, gigantic water lilies, nodding their ghastly, everlasting heads over the dreary Zaire; the shrouding shadow of Helusion; the ashen skies, and sere, crisped leaves in the ghoul-haunted woodland of Weir, hard by the dim lake of Auber all lay with grim distinctness before her; and from the red bars of the grate the wild, lustrous, appalling eyes of Ligeia looked out at her, while the unearthly tones of Morella whispered from every corner of the room.

Indeed upon any theme of the most admired because simply the most abstruse of the boasted erudition of the Academy, have I ever found Ligeia at fault? How singularly how thrillingly, this one point in the nature of my wife has forced itself, at this late period only, upon my attention!

I scrutinized the formation of the chin and here, too, I found the gentleness of breadth, the softness and the majesty, the fullness and the spirituality, of the Greek the contour which the god Apollo revealed but in a dream, to Cleomenes, the son of the Athenian. And then I peered into the large eyes of Ligeia. For eyes we have no models in the remotely antique.

As soon as the reader could be sufficiently impressed with the force of her character, she must be made to die; and the first part of the story would be finished. But at this point Poe was obliged to choose between the direct and the indirect means of delineating character. Should Ligeia be depicted directly by her husband, or indirectly, through her own speech?

For esthetic reasons Poe made this character a woman, and called her Ligeia; but it is evident that structurally the story would have been the same if he had made the character a man. The resultant narrative would have been different in mood and tone; but it would not have been different in structure.

Dim and elusive as is the very conception of "Ligeia" to the ordinary mind, she was perfectly real to her creator. In the summer-night breeze he heard the music of her voice and felt the delicious coolness of her caress. Tall, swaying trees spoke to him of her height, her majesty and her grace.

The Juno of Argos is a virago; the Athena of Athens grotesque, the Athena of Corinth is insipid; and of Thurium, sensual. The Siren Ligeia, and fountain of Arethusa, on the coins of Terina and Syracuse, are prettier, but totally without expression, and chiefly set off by their well-curled hair.

Twice, too, in this garden, the pageant of spring and summer and sunset-hued autumn had passed, the birds had flown away again and winter snows had covered all with their whiteness and their silence. And still the garden's true-lover, the poet, The Dreamer, was a wanderer, where? Oh, beautiful "Ligeia," was it not your voice that now and again whispered in the tree-tops and among the flowers?