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So Yorick will probably preach and send his sermon soon.” And Ebert replies in a letter dated at Braunschweig, January 7, 1770, expressing a desire that Lessing should fulfil his promise, and cause Yorick to preach not once but many times. The circumstance herein involved was first explained by Friedrich Nicolai in an article in the Berlinische Monatsschrift, 1791.

A new religion, heralded by a new evangel, that of Diderot and Montesquieu, Lessing, Beccaria, and Voltaire, and sanctified by the blood of new martyrs, the Girondins, offered itself to the world.

Lessing out of the background of his consciousness, because of the part her suggestion of the morning played in new realization of himself as the rich Mr. Weatheral of Pleasanton.

Whether in his national play Gotz von Berlichingen or in his classical drama of Iphigenia, this great German master stands at the summit of his art. Lessing attacked French drama as enacted in Germany prior to Goethe, and brought forward the Shakespearian plays as a model.

Immediately on my leaving London I fall to the "Life of Lessing"; till that is done, till I have given the Wedgwoods some proof that I am endeavouring to do well for my fellow-creatures, I cannot stir. That being done, I would accompany you, and see no impossibility of forming a pleasant little colony for a few years in Italy or the South of France. Peace will come soon.

He met every objection that I could offer, said he would see Miss Lessing and make it all right about the contract, that I was too nervous to teach any more, and last that I owed him a little consideration after four years of waiting. Then I realized how the lines had deepened in his face, and how the grey was streaking his hair, and I surrendered promptly.

Lessing did not wish for toleration, because that implies authority, nor could his earnest temper have conceived of indifference. But he thought it as absurd to regulate opinion as the color of the hair. Here, too, he would have agreed with Selden, that "it is a vain thing to talk of an heretic, for a man for his heart cannot think any otherwise than he does think."

As earlier writers exaggerated the likeness of Canticles to Theocritus, so Maspero was at first inclined to exaggerate the affinity of Canticles to the old Egyptian amatory verse. It is not surprising, but it is saddening, to find that Maspero, summarizing his interesting discovery in 1883, used almost the same language as Lessing had used in 1777 with reference to Theocritus.

This step was taken in Europe at the end of the last century when the imagination took fresh flight under the auspices of Lessing and Walter Scott, and a little later in France under Chateaubriand, Augustin Thierry, Michelet, and others. We now come to the second step. On observing the visible man with your own eyes what do you try to find in him? The invisible man.

Zaire is considered in France as the triumph of tragic poetry in the representation of lore and jealousy. We will not assert with Lessing, that Voltaire was acquainted only with the legal style of love. He often expresses feeling with a fiery energy, if not with that familiar truth and naivete in which an unreserved heart lays itself open.