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He was supported, moreover, by a rare circle of friends, Edward Irving, Southey, Sterling, Landor, Leigh Hunt, Dickens, Mill, Tennyson, Browning, and, most helpful of all, Emerson, who had visited Carlyle at Craigenputtoch in 1833. It was due largely to Emerson's influence that Carlyle's works were better appreciated, and brought better financial rewards, in America than in England.
Landor has some hundred and fifty Pictures; each of which he thinks the finest specimen of the finest Master, and has a long story about, how he got it, when, etc. I dare say some are very good: but also some very bad. Parker sent me down a copy 'from the Author' for which I hereby thank you.
On one occasion, it seems, the newly married couple were sitting side by side; Landor was reading some of his own verses to his bride and who could read more exquisitely? when all at once the lady, releasing herself from his arm, jumped up, saying, "Oh, do stop, Walter, there's that dear delightful Punch performing in the street. I must look out of the window." Exit poetry forever.
There are not a few writers of our day whose excellent prose work has won more of popular favour than their verse, which notwithstanding is of high quality. Such was the "unsubduable old Roman," Walter Savage Landor, a contemporary of Byron and Wordsworth, who long outlived them, dying in 1864.
But there were twenty no longer. At their head as before rode Landor, in his arms not a rifle but a blanket; a blanket from which as they journeyed on came now and anon a sound that was alien indeed: the sobs of a baby girl who wept as she slept. Back of him, likewise as when they had come, rode hatchet-faced Crosby; but he, too, was not as before.
Mercifully, Landor's memory was failing, and so one may hope that the waters of the Lethe brought him like Lear their blessed relief. Strangely enough, no poet ever sang their healing virtues more poignantly than did Landor. When Agamemnon, in Landor's poem, red from Clytemnestra's axe, reaches the Shades, the Hours bring him their golden goblet. He drinks and forgets.
Besides, it's nearly morning and people will be coming. Don't do so; please!" No answer, no indication that he had been heard; only the muffled, racking, piteous sobs. "Bess," insistently, "Bess! Listen to me. I can't have you do so. Uncle Landor wouldn't like it, I know he wouldn't. He'd be sorry if he knew. Be brave, girlie. You're not alone yet." Still no response of word or of action.
Then first it ceases to be a stone. The same remark holds of painting. And of poetry the success is not attained when it lulls and satisfies, but when it astonishes and fires us with new endeavors after the unattainable. Concerning it Landor inquires "whether it is not to be referred to some purer state of sensation and existence."
Whatever the effects may be on Shelleyan commentators, it must be said that, to the donnish eye, Percy Bysshe Shelley was nothing more or less than the ordinary Oxford poet, of the quieter type. In Walter Savage Landor, authority recognised a noisier and rowdier specimen of the same class. People who have to do with hundreds of young men at a time are unavoidably compelled to generalise.
It would have been difficult for any woman to live amicably with Landor. In his youth he was suspended from college, and when he was a very old man he was fined $5,000 for writing a libelous article. Between these two periods his life was made up of many fits of passion.
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