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Updated: June 9, 2025
We found some fine old portraits and other paintings by Vandyke, Sir Peter Lely, Sir Godfrey Kneller, and a strange head by Rubens, amid all which I walked wearily, wishing that there were nothing worth looking at in the whole world. My wife differs altogether from me in this matter; . . . . but we agreed, on this occasion, in being tired to death.
He returned to the Tower, under sentence of death, to be saved by the heroism of a woman; according to some accounts, of his mother; but actually, by the fearless, devoted affection of his wife. Winifred, Countess of Nithisdale, appears, from her portrait by Kneller, to have conjoined to an heroic contempt of danger a feminine and delicate appearance, with great loveliness of countenance.
Sir Thomas Fairfax, the Parliamentary General, lived here; also Sir Heneage Finch, created Earl of Nottingham; Sir Godfrey Kneller, when he moved from Covent Garden; Thomas Worlidge, the portrait-painter, and afterwards, in the same house, Hoole, the translator of Dante and Ariosto; Sir Robert Strange, the engraver; John Opie, the artist; Wolcott, better known as Peter Pindar, who was buried at St.
Sir Godfrey Kneller painted him a handsome giant, six feet eight inches high, with full lips, dark skin, and curly hair that always showed beneath his wig. The Tsar disdained to adorn his person, and was often meanly clad, wearing coarse darned stockings, thick shoes, and studying economy in dress.
The fluctuation in fame which Romney has suffered has, of course, fallen to the fate of many of his professional brethren. We read, for instance, that Sir Godfrey Kneller sometimes received in payment for a portrait a considerable sum in hard cash, with a couple of Rembrandt's thrown in by way of makeweight. Yet now a single specimen of Rembrandt exceeds in value a whole gallery of Knellers.
Before leaving the region devoted to perching birds, the visitor should glance at a few of the pictures which are suspended above the cases in this compartment. They include, amongst various portraits of British Museum donors, three of Sir Hans Sloane, one by Murray; Robert Earl of Oxford, by Sir Godfrey Kneller; and Edward Earl of Oxford, by Dahl.
On the east wall, on one side of the fireplace, are large oil-paintings of George III. and his consort, Caroline, by Allan Ramsay; and on the other a copy of Winterhalter's picture of Queen Victoria as Empress of India, by Hanson Walker, R.A. Between the southern windows are portraits of King James II. and King Charles II., by Sir Godfrey Kneller and Sir Peter Lely respectively.
But no man could paint her eyes, my lord," rubbing his head ruefully; "no man could paint them. Mr. Kneller will not when she weds a Duke and comes to queen it at the Court." He had managed to keep before the picture as he spoke, and now he stepped aside and let them behold it, glancing from one to the other. "Damn!" cried Tom Tantillion, and sprang forward from his chair at sight of it.
In England, without assuming his rank, he ceased to wear the attire and adopt the habits of a common workman; and he had frequent intercourse with William III., who is said to have conceived a strong liking for him, notwithstanding the uncouthness of his manners. Kneller painted a portrait of him for the king, which is said to have been a good likeness.
We found him employed in finishing a portrait of Lady Godolphin. "He, he!" cried he, when he beheld me approach. "By Got, I am glad to see you, Count Tevereux; dis painting is tamned poor work by one's self, widout any one to make /des grands yeux/, and cry, 'Oh, Sir Godfrey Kneller, how fine dis is!"
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