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Updated: June 9, 2025
"I was here." There was a moment's silence. I was bursting with questions, but I did not dare to speak. "The young master took him back to London after that," went on Murray, "hoping that a change would do him good and take his mind off Miss Evelyn, but I doubt he'll ever get over it. While they were in London, Sir Godfrey Kneller painted him and Miss Evelyn.
There is a fine portrait of William the Third on horseback, of the size of life, by Sir Godfrey Kneller; the horse is painted in a side view, and has a good effect. There are eight fine female portraits of distinguished personages, by the same hand, in the highest state of preservation. Bandinella, the Sculptor, by Corregio, is a most beautiful portrait.
The Vandyck commanded the staircase, attracting immediate attention, as it faced the principal entry. In the wide space between the two great windows were two portraits of equal size; the famous Sir Peter Crewys, by Lely, painted to resemble, as nearly as possible, his royal master, in dress and attitude; and his brother Timothy, by Kneller.
From Sir Antony More's time down to that of Leíly and Kneller, the rage for portraits was continually increasing, and took largely the form of miniatures, which were painted chiefly by foreigners; notably by Hilliard and two Olivers or Oliviers, a father and son of French extraction, and by a Swiss named Petitot.
After dinner, arithmetic is the only science; ideas are disturbing, incendiary, follies of young men, repudiated by the solid portion of society; and a man comes to be valued by his athletic and animal qualities. Spence relates, that Mr. Pope was with Sir Godfrey Kneller one day, when his nephew, a Guinea trader, came in.
Apropos of these writers, among the most famous works of Kneller are the forty-three portraits, painted originally for Tonson, the bookseller, of the members of the Kit Cat club, the social and literary club of the day, which got its name from the chance of its holding its meetings in a house the owner of which bore the unique name of Christopher Cat.
The first attempt towards the establishment of an academy is mentioned by Walpole as having been formed by several artists under Sir Godfrey Kneller in 1711. Afterwards we find, by other accounts in the same author, which are corroborated by authentic information, that Sir James Thornhill formed an academy in his own house, in the Piazza, Covent Garden.
The room itself was long, narrow, and comparatively low; the latticed windows were sunk several feet into the massive walls; lengths of brownish-green and yellow tapestry, none the fresher for its two centuries and more of existence, still protested against the modern heresy of wallpaper; and in a panel-frame over the fireplace was seen the portrait, by Sir Godfrey Kneller, of the Jacobite baronet.
"People in general," said Tarleton, gravely, "believe that Alexander had a wry neck, and was a very plain fellow; but no one can know about Alexander like Sir Godfrey Kneller, who has studied military tactics so accurately, and who, if he had taken up the sword instead of the pencil, would have been at least an Alexander himself."
This artist was a pupil of Sir Godfrey Kneller, and met with plentiful employment in portrait painting. His abilities were very inferior, but, says Walpole, "Such was the badness of the age's taste, and the dearth of good masters, that Jervas sat at the head of his profession, although he was defective in drawing, coloring, composition, and likeness.
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