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"Not for other people," Kenwick laughed. "I keep my strength for paddling my own canoe." And, having seen Pauline safely established beside Mrs. Daymond, he stepped into the Colonel's boat, quite unconscious of the scarcity of encouragement he had received. The Colonel welcomed him the more hospitably perhaps, for a consciousness of having been somewhat remiss at the outset.

"This may not have been done by a mortal artist. At any rate nobody knows who did it. But it's a lovely thing"; and Kenwick paused, with a view to doing full justice to the implication. "Have you never painted Pietro?" Pauline was asking, as she watched the striking figure of the old gondolier, rowing homeward.

"How long ago is ages ago?" asked Daymond. "Four years ago last winter," was the unhesitating reply. "It was when I was fifteen and Mr. Kenwick used to come to see my sisters." "My memory does not go back as far as that," said Kenwick. "I'm a child of the hour."

Then, "I believe you feel about my mother something as I do," he added, as May and Kenwick entered upon a lively discussion of their views upon the Sienese painter, in which they seemed able to discover nothing in common beyond a great decision of opinion.

"Uncle Dan," Pauline had asked, one day, after an hour spent in Kenwick's society, "what is the reason Mr. Kenwick makes so little impression?" "Because he doesn't tally," May put in. "Well," said Uncle Dan, scowling perplexedly; "I don't quite make him out.

To divert her thoughts, and to have an excuse for turning her back on Kenwick, she tried making friends with the bashful bambino, who had seated himself upon the grassy bank and was gazing furtively at her bright silk waist. Kenwick took the little ruse kindly. He had noticed that she spoke to Nanni in a subdued tone, and he flattered himself that he had the key to her change of mood.

He therefore submitted, with a very good grace, to seeing a good deal of the young man, and if it occasionally irked him to have Stephen Kenwick's grandson about, he found his account in the spirit and ease with which his two Pollys dealt with the situation. Kenwick, of course, attached himself ostensibly to the Daymond party.

Kenwick refrained from asking himself why he should consider Daymond's claim paramount to his own; he was not given to searching analysis of his own motives.

Uncle Dan demanded, as he handed his niece into the gondola. "Yes; it is a happy fate to die in a good cause," he admitted, when the matter was explained to him, and he wondered whether it could possibly be Kenwick who had put the child in a sentimental mood.

The mother had been watching the little scene, and May had a comfortable assurance that that wealth of soldi would presently be restored to its legitimate function in the scheme of things. She turned from her pretty fooling, and Kenwick promptly remarked: "Are you aware that you have sown the seeds of mendicancy in the soul of that innocent child?"