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"As the feelings which a beautiful picture excites are not caused by mere colour, so the empire which music possesses over our souls is not the work of sound alone. All men love to listen to sweet sounds; but if this love be not quickened by such melodious inflexions as are familiar to the hearer, it cannot be converted into pleasure.

When the prayers are correctly printed, as in the authentic 'Missale Romanum, the place of the inflexions is indicated by a colon, 'punctum principals, and a semicolon, 'semi-punctum, respectively. The question is often asked, why Dominus vobiscum is said after the collect, or prayer.

In The Newcomes and its successors the old Thackerayan display seems essentially the same as ever, still the familiar, easy-going, intimate outpouring, with all the well-known inflexions of Thackeray's voice and the humours of his temperament; certainly Pendennis and Esmond and George Warrington and Thackeray have all of them exactly the same conception of the art of story-telling, they all command the same perfection of luminous style.

When cadging for a promise of substantial baksheesh, the nasal twang of his voice assumed caressing inflexions. He thought out subtle stratagems and expended whole treasuries of prayers in order to obtain a cigarette. Noticing that I liked to see the donkey-boys treat their beasts with kindness, he used, in my presence, to kiss Rameses on the nostrils, and when we halted he would waltz with him.

The Latinity, therefore, is good; but though good, it can scarcely be said to be that of an ancient Roman; for an ancient Roman never resorted to such inflexions in prose, only when writing poetry to get over the difficulties of rhythm; hence a modern European would easily fall into the error, from taking the Latin of Virgil to be most perfect; and from deeming that what was done in verse could, with equal propriety, be done in prose.

Like us, he laughs, cries, laments, shrieks, and groans, but he does not know how to combine these inflexions with speech or song. These three voices find their best expression in perfect music. Children are incapable of such music, and their singing lacks feeling.

When I went to Amherst I was fortunate in passing into the hands of John Lovell, a teacher of elocution, and a better teacher for my purpose I cannot conceive. His system consisted in drill, or the thorough practice of inflexions by the voice, of gesture, posture, and articulation.

But to hear her wonder and lament and suggest, with soft, liquid inflexions, and low, sad murmurs, in tones as full of serious tenderness for the fate of the lost key as if it had been a child that had strayed from its mother, was so winning, that, had her features and figure been as delicious as her accents, if she had looked like the marble Clytie, for instance, why, all I can say is

I would only teach the declensions of nouns, and the inflexions of verbs. For the rest, nothing is so easily demonstrated, as that the auxiliary sciences are best communicated in connection with their principals. Chronology, geography, are never so thoroughly understood, as by him that treats them literally as the handmaids of history.

Verdi's music is not based, like the masters', upon the inflexions of the human voice under stress of sincere feeling, but upon figures and passages easily executed upon certain instruments. The great composers strove to make instruments speak in the accent of the human voice, while Verdi has always tried to make the voice sound like an instrument.