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Updated: May 28, 2025


And here, as always, to all but the very last, even in the twilight of Anne of Geierstein, the succession of scenes hurries the reader along without breath or time to stop and criticise, with nothing to do, if he is a reasonable person, but to read and enjoy and admire.

All three made their way together toward the ruins of Geierstein. These ruins, which are twenty minutes' walk from the village, seem to be insignificant enough; they consist of the ridges of a few decrepit walls, from four to six feet high, which extend among the brier bushes.

I got a note from Cadell, in which Ballantyne, by a letter enclosed, totally condemns Anne of Geierstein three volumes nearly finished a pretty thing, truly, for I will be expected to do it all over again. Great dishonour in this, as Trinculo says, besides an infinite loss. Sent for Cadell to attend me next morning that we may consult about this business.

Ronan's Well," "Kenilworth," and "The Heart of Midlothian" have gone up in the scale; perhaps "Ivanhoe" and "Anne of Geierstein" have gone a trifle down; Diana Vernon has been added to my admirations in that enchanted world of "Rob Roy"; I think more of the letters in "Redgauntlet" and Peter Peebles, that dreadful piece of realism, I can now read about with equanimity, interest, and I had almost said pleasure, while to the childish critic he often caused unmixed distress.

Skene remarks that at this time "Sir Walter was engaged in the composition of the Novel of Anne of Geierstein, for which purpose he wished to see a paper which I had some time before contributed to the Memoirs of the Society of Antiquaries on the subject of the Secret Tribunals of Germany, and upon which, accordingly, he grounded the scene in the novel.

The book was not at all ill received, but Lockhart is apologetic about it, and it has been the habit of criticism since to share the opinions of 'Aldiborontiphoscophormio. I cannot agree with this, and should put Anne of Geierstein as a mere romance and not counting the personal touches which exalt Redgauntlet and the Introduction to the Chronicles on a level with anything, and above most things, later than The Pirate.

Kasper put his dog out, and came back with his hat off. "Well!" said Petrus, seeing that he was silent, "what has happened?" "It happens that the spirit has appeared again in the ruins of Geierstein!" "Ha! I doubt it. You've seen it yourself?" "Very clearly, Mr. Burgomaster." "Without closing your eyes?" "Yes, Mr. Burgomaster my eyes were wide open. There was plenty of moonlight."

I shall be soon done with the second volume of Anne of Geierstein. I cannot persuade myself to the obvious risk of satisfying the public, although I cannot so well satisfy myself. I am like Beaumont and Fletcher's old Merrythought who could not be persuaded that there was a chance of his wanting meat.

Under the fifteenth century he will find Quentin Durward, The Broad Arrow, Anne of Geierstein, The Cloister and the Hearth, Every Inch a King, Marietta, The Dove in the Eagle's Nest, and other standard works, all of which he may have read before, but every page of which will have for him a new interest since he can now place the characters, appreciate the customs, and form a consistent picture of what was doing in different countries at this time.

Rob Roy, Guy Mannering, and Redgauntlet first; then, a little lower; The Fortunes of Nigel; then, after a huge gulf, Ivanhoe and Anne of Geierstein: the rest nowhere; such was the verdict of the boy. Since then The Antiquary, St.

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