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Updated: June 6, 2025
Much of the work on which Giorgione's immediate fame depended, work done for instantaneous effect, in all probability passed away almost within his own age, like the frescoes on the facade of the fondaco dei Tedeschi at Venice, some crimson traces of which, however, still give a strange additional touch of splendour to the scene of the Rialto.
Yea and I was ever a true godsib to him, and that painter might indeed thank my kith and kin when he was charged with a certain office in the Fondaco in Venice, which is worth some hundreds of ducats yearly to him, to this day.
Anselmo Giustiniani was still the Republic's consul there, and lodging at the Venice Fondaco with Ursula his wife; but the serving men had said that they had never heard of Schopper of Nuremberg; nor was it strange that Kunz's coming should be unknown to them, inasmuch as, to be far from Ursula, he had found hospitality with the Genoese and not with the Venetians.
The work was completed by 1508, and became the most celebrated of all the artist's creations. The Fondaco still stands to-day, but, alas! a crimson stain high up on the wall is all that remains to us of these great frescoes, which were already in decay when Vasari visited Venice in 1541. Other work of the kind all long since perished Giorgione undertook with success.
The Fondaco dei Tedeschi, or Exchange of the German Merchants at Venice, had been burned down the winter before, and they were in haste to complete a new one. Duerer may have received assurance that the commission to paint the altar-piece for the new chapel would be his did he desire it. At any rate he seems to have set to work on such a picture almost as soon as he arrived there.
It was well indeed that he should be departing, inasmuch as yestereve, when he bid Ursula good night, Giustiniani had given him to understand that he, Herdegen, was in his way; at home he would have shown his teeth, and with good right, to any man who had dared to speak to him, but in Venice every man who lodged in the Fondaco was forbid the use of weapons, and he had heard tell of Anselmo Giustiniani that he, unlike the rest of his noble race, who were benevolent men and patrons of learning, albeit he was a prudent statesman and serviceable to the city, was a stern and violent man.
So stimulating was Giorgione's genius to Titian, who was his companion in Bellini's studio, that there are certain pictures which the critics divide impartially between the two, chief among them the "Concert" at the Pitti; while together they decorated the Fondaco dei Tedeschi on the Grand Canal. It is assumed that Titian finished certain of Giorgione's works when he died in 1510.
From these and from a few rosy fragments on the Fondaco dei Tedeschi, the Fabbriche Nuove, and precious fading figures in a certain courtyard near San Stefano, we form some notion how Venice looked when all her palaces were painted. Pictures by Gentile Bellini, Mansueti, and Carpaccio help the fancy in this work of restoration.
Yea and I was ever a true godsib to him, and that painter might indeed thank my kith and kin when he was charged with a certain office in the Fondaco in Venice, which is worth some hundreds of ducats yearly to him, to this day.
Dürer took a common brush, and painted a long tress of fine hair: Bellini declared that had he not seen this done he could not have believed it. While in Venice Dürer received an order to paint a picture for the Fondaco de' Tedeschi, or German Exchange. It is believed that this work was the famous "Feast of Rose Garlands," now in the Monastery at Strahow, in Bohemia.
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