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Updated: June 2, 2025
For the religious service, which was directed by her own chaplain, she had had a chapel fitted up in the house, according to the Ratisbon fashion. The poor were never turned from her door without alms, and where she encountered great want she often relieved it with a generosity far beyond her means. Under the instruction of Maestro Feys, she eagerly devoted herself to new exercises in singing.
She, ay, she, was to free his troubled spirit from every care, and if she succeeded, and he confessed to her that he, too, found in her something unusual, something great in its way, then the earnest diligence which Master Feys had often praised in her would be richly rewarded; then she would be justified in the pride which, notwithstanding her poverty, was a part of her, like her eyes and her lips, and for which she had so often been blamed.
Hiltner replied that religion did not enter into the matter. He knew Wolf and his peaceful nature, and therefore hoped that he would be advised that music was a language equally intelligible to all persons of feeling, whatever tongue they spoke and whatever creed they preferred. This opinion was also that of the Catholic maestro Feys, and he had therefore escaped all difficulty.
Yet she was pleased at the thought of sharing this festal assembly, and she, her companion, and Lamperi all went into ecstasies over the dress she intended to wear, which had just arrived from Brussels. Maestro Feys passed a restless night, and Barbara watched beside his couch for hours.
So she assured Feys, who regarded her as his good angel and felt her departure painfully, that she would soon be with him again, and then gave the order to ask Hannibal Melas, in her name, to pay frequent visits to the sick maestro.
Hannibal Melas relieved her of the care of Maestro Feys, which she had undertaken, and under his faithful nursing the old musician was granted many more years of life. The Maltese also distributed among her poor the large sums which the sale of Barbara's property produced.
The way in which she understood how to discover and bring out the best qualities of every visitor rendered her a very agreeable hostess. Maestro Feys made her acquainted with his professional friends in Ghent, and her opinion of music was soon highly valued among them. Where women choirs were being trained, she was asked to join them, and often took a part which seemed to the others too difficult.
There was as little cause to object to the visits paid to her by Gombert, Appenzelder, Damian Feys, occasionally some noblemen or guests of the court, and once even by no less a personage than the Bishop of Arras, as to the rides she took every afternoon; for the latter were always under the charge of Herr de Fours, an old equerry of the Emperor, and in the company of several courtiers, among whom Baron Malfalconnet was often included.
For the religious service, which was directed by her own chaplain, she had had a chapel fitted up in the house, according to the Ratisbon fashion. The poor were never turned from her door without alms, and where she encountered great want she often relieved it with a generosity far beyond her means. Under the instruction of Maestro Feys, she eagerly devoted herself to new exercises in singing.
Besides, her adopted son Erasmus, the new Wittenberg master of arts, had devoted himself eagerly to music, and composed several hymns which, if Damian Feys permitted it, would be sung in the Convivium musicum.
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