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Feuilly employed these two hours in engraving this inscription on the wall which faced the tavern: These four words, hollowed out in the rough stone with a nail, could be still read on the wall in 1848. The three women had profited by the respite of the night to vanish definitely; which allowed the insurgents to breathe more freely. They had found means of taking refuge in some neighboring house.
He turned round and saw in the Rue Saint-Denis, at the end of the Rue de la Chanvrerie, Enjolras passing, gun in hand, and Gavroche with his pistol, Feuilly with his sword, Courfeyrac with his sword, and Jean Prouvaire with his blunderbuss, Combeferre with his gun, Bahorel with his gun, and the whole armed and stormy rabble which was following them.
He had one other preoccupation, to educate himself; he called this also, delivering himself. He had taught himself to read and write; everything that he knew, he had learned by himself. Feuilly had a generous heart. The range of his embrace was immense. This orphan had adopted the peoples. As his mother had failed him, he meditated on his country.
They reached the Quai Morland. Cravatless, hatless, breathless, soaked by the rain, with lightning in their eyes. Gavroche accosted them calmly: "Where are we going?" "Come along," said Courfeyrac. Behind Feuilly marched, or rather bounded, Bahorel, who was like a fish in water in a riot. He wore a scarlet waistcoat, and indulged in the sort of words which break everything.
The morning breeze ruffled the gray hair on the head of the dead man at the third-story window. "I am delighted that the torch has been extinguished," said Courfeyrac to Feuilly. "That torch flickering in the wind annoyed me. It had the appearance of being afraid. The light of torches resembles the wisdom of cowards; it gives a bad light because it trembles."
In the meantime, in the Marche Saint-Jean, where the post had already been disarmed, Gavroche had just "effected a junction" with a band led by Enjolras, Courfeyrac, Combeferre, and Feuilly. They were armed after a fashion. Bahorel and Jean Prouvaire had found them and swelled the group.
At two o'clock in the morning he returned to Courfeyrac's quarters and flung himself, without undressing, on his mattress. The sun was shining brightly when he sank into that frightful leaden slumber which permits ideas to go and come in the brain. When he awoke, he saw Courfeyrac, Enjolras, Feuilly, and Combeferre standing in the room with their hats on and all ready to go out.
While the men made bullets and the women lint, while a large saucepan of melted brass and lead, destined to the bullet-mould smoked over a glowing brazier, while the sentinels watched, weapon in hand, on the barricade, while Enjolras, whom it was impossible to divert, kept an eye on the sentinels, Combeferre, Courfeyrac, Jean Prouvaire, Feuilly, Bossuet, Joly, Bahorel, and some others, sought each other out and united as in the most peaceful days of their conversations in their student life, and, in one corner of this wine-shop which had been converted into a casement, a couple of paces distant from the redoubt which they had built, with their carbines loaded and primed resting against the backs of their chairs, these fine young fellows, so close to a supreme hour, began to recite love verses.
You had neither father nor mother, Feuilly; you adopted humanity for your mother and right for your father. You are about to die, that is to say to triumph, here. Citizens, whatever happens to-day, through our defeat as well as through our victory, it is a revolution that we are about to create. As conflagrations light up a whole city, so revolutions illuminate the whole human race.
In the meantime, in the space of a few minutes, twenty iron bars had been wrenched from the grated front of the wine-shop, ten fathoms of street had been unpaved; Gavroche and Bahorel had seized in its passage, and overturned, the dray of a lime-dealer named Anceau; this dray contained three barrels of lime, which they placed beneath the piles of paving-stones: Enjolras raised the cellar trap, and all the widow Hucheloup's empty casks were used to flank the barrels of lime; Feuilly, with his fingers skilled in painting the delicate sticks of fans, had backed up the barrels and the dray with two massive heaps of blocks of rough stone.
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