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Updated: June 3, 2025


It took a deal of will and breaking of precedent, on the part of all concerned, to show this film, The Wild Girl of the Sierras, and I retired from the field a long time. But now this same Eggers is starting, in Denver, an Art Museum from its very foundations, but on the same constructive scale.

So greedy and eager are the gulls that they sometimes even wound the eggers, striking them with their beaks. But if the gull gets an egg, he flies up with it, and, tossing it up, swallows what he can catch, letting the shell and half its contents fall in a shower upon the luckless and disappointed egger below. Finally, so difficult is the ground that it is impossible to carry baskets.

George W. Eggers, the director of the newly projected Denver Art Museum, assures me that a photoplay policy can be formulated, amid the problems of such an all around undertaking as building a great Art Museum in Denver. He expects to give the photoplay the attention a new art deserves, especially when it affects almost every person in the whole country.

It will be your first Weigh House, and it's really a good one, with a splendid relief by Eggers, and a delightful outside staircase. Then there's the Stadhuis, too, and if you care for old stained glass, the work of the brothers Crabeth in the Groote Kerk " "But aren't you going with us?" asked Miss Rivers. I explained why I could not. "Oh dear, and we can't speak Dutch!" she sighed.

He had intended to keep the story of adventure to himself. But he saw that Norton had stepped back and was gazing soberly at the suitcases, which Hollis had deposited near the door. Norton suddenly let out a chirp of delight. "Two of them!" he said, suppressing his excitement; "Two grips! Red Eggers said there was two an' that the tenderfoot had come down toward the court house!"

The birds which breed upon the Farallones are gulls, murres, shags, and sea-parrots, the last a kind of penguin. The eggs of the shags and parrots are not used, but the eggers destroy them to make more room for the other birds. The gull begins to lay about the middle of May, and usually ten days before the murre.

No beast of prey, not even the white man, will destroy his own stock supply of food. But with the nineteenth century came the white-man market "eggers", systematically taking or destroying every egg in every place they visited. Halifax, Quebec and other towns were centres of the trade.

It seems experimental because it is thrown into contrast with extreme commercial formulas in the regular line of the "movie trade." But compare The Cabinet of Dr. Caligari with a book of Rackham or Du Lac or Dürer, or Rembrandt's etchings, and Dr. Caligari is more realistic. And Eggers insists the whole film is replete with suggestions of the work of Pieter Breughel, the painter.

The work is being used as one basis of the campaign for the New Denver Art Museum, and I like to tell the story of how George W. Eggers of Denver first began to apply the book when the Director of the Art Institute, Chicago, that it may not seem to the merely University type of mind a work of lost abstractions.

During the height of the egging season the gulls hover in clouds over the rocks, and when a rookery is started, and the poor birds leave their nests by hundreds, the air is presently alive with gulls flying off with the eggs, and the eggers are sometimes literally drenched. There is thus inevitably a considerable waste of eggs.

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