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Updated: May 18, 2025
Their ignorance and presumption were speedily confounded. In taking Diderot's papers, they had forgotten, as Grimm says, to take his head and his genius: they had forgotten to ask him for a key to articles which, so far from understanding, they with some confusion vainly strove even to decipher.
Meanwhile Diderot wrote on his behalf an energetic and dignified reply to the aggressive pastoral. This apology is not such a masterpiece of eloquence as the magnificent letter addressed by Rousseau ten years later to the archbishop of Paris, after the pastoral against Emilius. But Diderot's vindication of De Prades is firm, moderate, and closely argumentative.
He remembered his old friend Colette, though, no doubt, he admitted that Jacqueline was truer, more frank, more passionate: there was in the girl an ardent aspiration towards a life of courage, an almost heroic desire for it. "But desiring isn't everything," thought Christophe, remembering a jest of Diderot's: "the chief thing is a straight backbone."
It imposed Diderot's doctrine that there was beauty in all natural character. And its chief apostle, Hugo, with the examples of Ariosto, Cervantes, Rabelais and Shakespeare to back him, proved that what was in nature was or should be also in art, yet without, for that, seeking to free art from law and the necessity for choice.
In amiability that society has never been surpassed; in sincerity of mutual sympathy and kindliness of mutual regard. The common irregularity of morals was seen to be perfectly compatible not merely with a desire to please, but with an honest anxiety to serve. Of the thorough excellence of Diderot's heart, of his friendliness and unwearied helpfulness, time would fail us to tell.
Even those of us who repudiate theology and all its works for ourselves, may feel a shock at the coarseness and impurity of innuendo which now and then disfigures Diderot's treatment of theological as of some other subjects. For this the attitude of the Church itself was much to blame; coarse, virulent, unspiritual as it was in France in those days.
Chaque esprit a sa lie, wrote one who for a while had sat at Diderot's feet; and we may dismiss this tale as the lees of Diderot's strong, careless, sensualised understanding. He was afterwards the author of a work, La Religieuse, on which the superficial critic may easily pour out the vials of affected wrath. There, however, he was executing a profound pathological study in a serious spirit.
To them his purse and his literary assistance were freely given. He was delighted when a writer came to consult him on his work. If the subject were interesting he would recognize its capabilities at a glance. As the author read, Diderot's imagination would fill in all deficiencies, construct new scenes in the tragedy, new incidents, new characters in the tale.
Diderot's only merit in the matter and it is hardly an inconsiderable one in a world of routine is that he should have been at the pains to seek the newest lights, and above all that he should have urged the value of fresh experiments in agriculture.
Much of Diderot's work, even on great practical subjects, was, no doubt, the reproduction of mere book-knowledge acquired at second-hand. Take, for instance, Agriculture, which was undoubtedly the most important of all subjects for France at that date, as indeed at every other date.
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