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Gervex, Mademoiselle D'Avary, and I had gone to this cafe after the theatre for half an hour's distraction; I had thought that the place seemed too rough for Mademoiselle D'Avary, but Gervex had said that we should find a quiet corner, and we had happened to choose one in charge of a thin, delicate girl, a girl touched with languor, weakness, and a grace which interested and moved me; her cheeks were thin, and the deep grey eyes were wistful as a drawing of Rossetti; her waving brown hair fell over the temples, and was looped up low over the neck after the Rossetti fashion.
And during the entr'actes Gervex had paid visits in various parts of the house, leaving Mademoiselle D'Avary to make herself agreeable to me. I dearly love to walk by the perambulator in which Love is wheeling a pair of lovers.
I had noticed how the two women looked at each other, one woman healthful and rich, the other poor and ailing; I had guessed the thought that passed across their minds. Each had doubtless asked and wondered why life had come to them so differently. But first I must tell who was Mademoiselle D'Avary, and how I came to know her.
Seeing that Gervex and Mademoiselle D'Avary were engaged in conversation, I leaned forward and devoted all my attention to this wistful Irish girl, so interesting in her phthisis, in her red Medicis gown, her thin arms showing in the long rucked sleeves. I had to offer her drink; to do so was the custom of the place.
His head looked as if it were squeezed in between two mountains. At one time the Baroness d'Avary allowed him to sleep in a kind of recess spread with straw, close to the poultry yard in the farm adjoining the chateau, and if he was in great need he was sure of getting a glass of cider and a crust of bread in the kitchen. Moreover, the old lady often threw him a few pennies from her window.
We must have talked for some time, for it was like waking out of a dream when Gervex and Mademoiselle D'Avary got up to go, and, seeing how interested I was, he laughed, saying to Mademoiselle D'Avary that it would be kind to leave me with my new friend.
The waitress sat, her thin arms leaning on the table, joining very prettily in the conversation, betraying only in one glance that she knew that she was only a failure and Mademoiselle D'Avary a success. It was some time before the ear caught the slight accent; an accent that was difficult to trace to any country.
His head looked as if it were squeezed in between two mountains. At one time the Baroness d'Avary allowed him to sleep in a kind of recess spread with straw, close to the poultry yard in the farm adjoining the chateau, and if he was in great need he was sure of getting a glass of cider and a crust of bread in the kitchen. Moreover, the old lady often threw him a few pennies from her window.
He had been seeking me because he wished to ask me to dinner to meet Mademoiselle D'Avary; we were to fetch her in the Rue des Capucines. I write the name of the street, not because it matters to my little story in what street she lived, but because the name is an evocation.
Those who like Paris like to hear the names of the streets, and the long staircase turning closely up the painted walls, the brown painted doors on the landings, and the bell rope, are evocative of Parisian life; and Mademoiselle D'Avary is herself an evocation, for she was an actress of the Palais Royal.
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