Vietnam or Thailand ? Vote for the TOP Country of the Week !
Updated: June 6, 2025
The Provençal, or Langue d'Oc, if you will, the Gascon, the Auvergnat, are spoken to this day in their respective provinces, universally spoken by the people, who in many instances do not understand French at all. They must be preached to in their own dialect. They have their songs, their theatre even. Nor must this be understood as referring only to the lower strata of society.
The French language, transplanted to Provence, seems like the cast-off clothes of a Parisian dandy adapted to the robust shoulders of a harvester bronzed by the Southern sun." The Provençal, in its two principal divisions, the Gascon and Langue d'Oc, is the current idiom south of the Loire.
After four years thus consumed in fruitless endeavors, by turns violently and feebly enforced, to reorganize an army and a treasury, and to purchase fidelity at any price or arbitrarily strike down treason, John was obliged to recognize his powerlessness and to call to his aid the French nation, still so imperfectly formed, by convoking at Paris, for the 30th of November, 1355, the states-general of Langue d'oil. that is, Northern France, separated by the Dordogne and the Garonne from Langue d'oc, which had its own assembly distinct.
The "Langue d'oc" was spoken in the entire southern part of France, and has given its name to a province of the present. So when the nobles of Provence, in the lordly retirement of their ancestral castles, sought an entertainment suited to their refined and sympathetic natures, they were soon imitated by the greater part of the nation.
A third term in use was the lingua d'oc, which has the authority of Dante and was used by some of the later troubadours; however, the term "Provençal" has been generally accepted, and must henceforward be understood to denote the literary language common to the south of France and not the dialect of Provence properly so-called.
As concerns the Northern limit, it must not be regarded as a definite line of demarcation between the langue d'oil or the Northern French dialects and the langue d'oc or Provençal. The boundary is, of course, determined by noting the points at which certain linguistic features peculiar to Provençal cease and are replaced by the characteristics of Northern French.
Briefly, it is this: The Provençal language, the "langue d'oc," was, of course, once the courtly and lettered language of Europe, the language of the great troubadours, and through them the vehicle of the culture and refinement of the thirteenth and fourteenth centuries. From it may be said to have sprung the beginnings of Italian literature.
The third event was the succession of the kings of England to the sovereignty of a large part of the countries where the Langue d'oc prevailed, which influenced the manners and opinions of the troubadours, and introduced them to the courts of the most powerful monarchs; while the encouragement given to them by the kings of the house of Plantagenet had a great influence on the formation of the English language, and furnished Chaucer, the father of English literature, with his first models for imitation.
Once more I return to the early poetry of France, with which our own poetry, in its origins, is indissolubly connected. In the twelfth and thirteenth centuries, that seed-time of all modern language and literature, the poetry of France had a clear predominance in Europe. Of the two divisions of that poetry, its productions in the langue d'oïl and its productions in the langue d'oc, the poetry of the langue d'oc, of southern France, of the troubadours, is of importance because of its effect on Italian literature; the first literature of modern Europe to strike the true and grand note, and to bring forth, as in Dante and Petrarch it brought forth, classics. But the predominance of French poetry in Europe, during the twelfth and thirteenth centuries, is due to its poetry of the langue d'oïl, the poetry of northern France and of the tongue which is now the French language. In the twelfth century the bloom of this romance-poetry was earlier and stronger in England, at the court of our Anglo-Norman kings, than in France itself. But it was a bloom of French poetry; and as our native poetry formed itself, it formed itself out of this. The romance-poems which took possession of the heart and imagination of Europe in the twelfth and thirteenth centuries are French; "they are," as Southey justly says, "the pride of French literature, nor have we anything which can be placed in competition with them." Themes were supplied from all quarters: but the romance-setting which was common to them all, and which gained the ear of Europe, was French. This constituted for the French poetry, literature, and language, at the height of the Middle Age, an unchallenged predominance. The Italian Brunetto Latini, the master of Dante, wrote his Treasure in French because, he says, "la parleure en est plus délitable et plus commune
The language of the South-West of France, including the Gascon, was then called Langue d'Oc; while that of the south-east of France, including the Provencal, was called Langue d'Oil. M. Littre, in the Preface to his Dictionary of the French language, says that he was induced to begin the study of the subject by his desire to know something more of the Langue d'Oil the old French language.
Word Of The Day
Others Looking