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Updated: May 26, 2025
Here is the clue to Wordsworth's meaning; and the special quality and power of his work, gathering amplitude and intensity as it plays across the critic's temperament, is reconstituted in other and illuminating images which communicate the emotion to us. The critic has felt more intimately than we the appeal of this poetry, and he kindles in us something of his own enthusiasm.
The critic's own error in later days was not very different from this, save that it applied to the medium in which men live, rather than to themselves, by refusing to take complex societies as they are, even as starting-points for higher attempts at organisation.
The "Saturday Night" may or may not be an admirable poem; but its significance is trebled, and the power and range of the poet first appears, when it is set beside the "Jolly Beggars." To take a man's work piecemeal, except with the design of elegant extracts, is the way to avoid, and not to perform, the critic's duty.
He might have spared himself the pains of coming to this resolution; for mitres, "though they fell on many a critic's head," and on that of his friend Hurd among the rest, did not seem adapted to the brows of a poet. When the death of Cibber had made the laurel vacant, he was informed that "being in orders he was thought merely on that account less eligible for the office than a layman."
Michelangelo, Beethoven, Tintoret, would snap a critic's head off if he did not see what they were trying to do. They may seem sometimes to be arrogant in the mere display of power, yet their beauty lies in the sudden change from arrogance to humility. The arrogance itself bows down and worships; the very muscle and material force obey a spirit not their own.
Thursday came: the painting was placed by the artist's own hand in the most favourable light; a curtain, hung behind it, served as a screen for Warner, who, retiring to his hiding-place, surrendered his heart to delicious forebodings of the critic's wonder and golden anticipations of the future destiny of his darling work. Not a fear dashed the full and smooth cup of his self-enjoyment.
'Sometimes the critic's phrases seemed wet with tears; sometimes, abandoning his tone of commiseration, he would assume one of scientific indifference. The phenomenon was the commonest. There were dozens of Hubert Prices in London. The universities and the newspapers, working singly and in collaboration, turned them out by the dozen.
The old Critic's countenance was expressively glum and ironical, he, however, was compelled, like all the other paid servants of the household, to make a low and respectful obeisance as soon as he found himself in Sah-luma's presence, an act of homage which, he performed awkwardly, and with evident ill-will.
Many persons agree that they find it too long, and if they find it so, then for them it is too long. Others, who cannot resist the critic's temptation of believing that a remark must be true if it only look acute and specific, vow that the disclosure in the first volume of the whole plan and plot vitiates subsequent artistic merit.
The Weltanschauung is the critic's first consideration, and after that he may properly take up that secondary grasp of the conditions of our being in mental processes, revealed in the structure, march of incidents, suspense, and climaxes, and the beauty or idiosyncracy of style. It is then literally false that it does not matter what a man says, but only how he says it.
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