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Born in 1705, Murray was still a young man when in 1738 he made his brilliant speech in behalf of Colonel Sloper, against whom Colley Cibber's rascally son had brought an action for crim. con. with his wife the lovely actress who was the rival of Mrs. Clive.
Cibber's manners had not been studied in the school of Chesterfield, although that school was then open and flourishing. He was rude, presumptuous, dogmatic. To superiors in rank he was grudgingly respectful; to equals and inferiors, insupportably insolent.
The part of Lord Place in the Election, after the first few nights, was taken by Cibber's daughter, the notorious Mrs. Charlotte Charke, whose extraordinary Memoirs are among the curiosities of eighteenth- century literature, and whose experiences were as varied as those of any character in fiction.
The epilogue is old Cibber's; but corrected, though not enough, by Francis. He will get a great deal of, money by it; and, consequently, be better able to lend you sixpence, upon any emergency.
Edwin Booth made his first appearance on the stage in 1849 at the Boston Museum in the youthful part of Tressil, in Colley Cibber's version of Shakespeare's "Richard III." It had been against his father's wishes that he had adopted the stage as a profession; but, as his father had done in a like case before him he persevered, and soon had the satisfaction of convincing his parent that he had decided wisely.
I have preserved little of the conversation of this evening. Dr. Johnson said, 'Thomson had a true poetical genius, the power of viewing every thing in a poetical light. His fault is such a cloud of words sometimes, that the sense can hardly peep through. Shiels, who compiled Cibber's Lives of the Poets , was one day sitting with me.
Who, if her early folly had made known, Had rid behind the coach that's now their own." Mrs. Oldfield received fresh cause for nervousness, had she been of a timid temperament, when, some years later, during the season of 1717-18, Cibber's political play of "The Non-Juror" was brought out.
Of course he played Cibber's version and not Shakespeare's. In fact, many of the Shakesperean parts were not played from the poet's own text, but Garrick might have doubted whether even his popularity would have reconciled his audiences to the unadulterated poetry of our greatest dramatist. Next to Richard, Lear would seem to have been his best Shakesperean performance.
Off the stage, James Quin was a character; his eccentricities were three a humorist, a glutton and an honest man; traits that often caused astonishment and ridicule, especially the last. "May we not hope for something from Mr. Cibber's pen after so long a silence?" "No," was the considerate reply. "Who have ye got to play it?" "Plenty," said Quin; "there's your humble servant, there's "
His anger burst out in an unjustifiable retort, insinuating that the gentleman's remark was a sally of ebriety; 'Sir, there is one passion I would advise you to command: when you have drunk out that glass, don't drink another . Here was exemplified what Goldsmith said of him, with the aid of a very witty image from one of Cibber's Comedies: 'There is no arguing with Johnson; for if his pistol misses fire, he knocks you down with the butt end of it . Another was this: when a gentleman of eminence in the literary world was violently censured for attacking people by anonymous paragraphs in newspapers; he, from the spirit of contradiction as I thought, took up his defence, and said, 'Come, come, this is not so terrible a crime; he means only to vex them a little.
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