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Updated: June 19, 2025


She had the greatest confidence in my judgment, and the characterisation pleased her housewifely pride, so much so that she flushed with pleasure as she said that if she 'ad 'er 'ealth she thought she could keep the place looking so that the passers-by would easily h'understand the name. It was some days after the naming of the cottage that Mrs.

The acting throughout was artistic, Professor Bernhardi impersonated by Bruno Decarli, and Father Reder by Alfred Abel, the latter a subtle characterisation. The "team play" of the Kleines Theatre company was seen at its best in the third act, where the directors hold a stormy meeting. It was the perfection of ensemble work.

That is precisely what the admirer of M. Feuillet's books feels as one by one he places them on his book-shelf, to be sought again. What is proposed here is not to tell his last story, but to give the English reader specimens of his most recent effort at characterisation.

Why do you talk to me of 'them'? I'm not engaged to 'them'!" she said with a shrill little laugh. "Oh Francie I am! And it's they who are buried beneath that filthy rubbish!" She flushed at this characterisation of Mr. Flack's epistle, but returned as with more gravity: "I'm very sorry very sorry indeed. But evidently I'm not delicate." He looked at her, helpless and bitter.

Gissing now turned to the submerged tenth of literature, and in describing it he managed to combine a problem or thesis with just the amount of characterisation and plotting sanctioned by the novel convention of the day. The convention may have been better than we think, for New Grub Street is certainly its author's most effective work. The characters are numerous, actual, and alive.

Bennett again presents the process of the generations, but he has given us a more intense dramatic interest, he has singled out a few persons for more significant characterisation; he has focussed his picture better, concentrated the interest, and produced emotional tension.

Following on the days of Dickens, the novel began to contract, to subordinate characterisation to story and description to drama; considerations of a sordid nature, I am told, had to do with that; something about a guinea and a half and six shillings with which we will not concern ourselves but I rejoice to see many signs to-day that that phase of narrowing and restriction is over, and that there is every encouragement for a return towards a laxer, more spacious form of novel-writing.

But Cleo's audacious mistake had wrought a miracle on the audience, destroying the stage-illusion, and rousing its dormant light of intelligence. Its capacity for being profoundly played upon and emotionally excited by the inartistic unrealities of absurd characterisation and of absurd combinations of circumstance had been rendered unresponsive.

The change which wealth produces in men's natures is most admirably depicted in the Epilogue. This is an Allegory dramatised with no little skill. The piece is full of the shrewdest hits at our human failings, aimed, however, with no ill-nature. Aristophanes' power of characterisation here shows no falling-off. Fortune's fickleness is proverbial and has received frequent literary treatment.

Favart, who with artistic self-restraint co-ordinated herself into the whole, without any virtuosity at all, produced no less an effect upon me. As the leading character in Feuillet's Julie, she was perfection itself; when I saw her, it seemed to me as though no one at home in Denmark had any idea of what feminine characterisation was.

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