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Updated: June 11, 2025
Nelson had something not unlike the carriage and tone of a gentleman; he talked quietly, though light-heartedly, and from remarks he let fall it appeared that he was somehow connected with the decorative arts. Minnie and he dropped into a discussion of some new ceramic design put forth by Doulton's; they seemed to understand each other, and grew more animated as they exchanged opinions.
I defy any man or woman, who possesses the artistic sensibilities, even in a latent degree, to visit a gallery containing the masterpieces of Japanese ceramic art, closely study them in all their details, and minutely examine the attention which the artist has given to even the smallest of those details without being impressed by its power.
We have a beautiful collection at the Art Museum in Fourteenth street of jewelry, objets d'art, and a good ceramic display, all clustered round the Di Cesnola sculptures and pottery.
But abstract lines, as we find them in Architecture and in the ceramic arts, are the independent developments of this creative power, coming directly from humanity itself, and obtaining from the outward world only the most distant motives of composition. Thus it is an inevitable deduction that Architecture is the most human of all arts, and its lines the most human of all lines.
They had the Sunday edition of the Lakeland Light at Pymantoning, and Cornelia had kept herself informed of the "Gossip of the Ateliers," and concerning "Women and Artists," "Artists' Summer Homes," "Phases of Studio Life," "The Ladies who are Organizing Ceramic Clubs," "Women Art Students," "Glimpses of the Dens of New York Women Artists," and other æsthetic interests which the Sunday edition of the Light purveyed with the newspaper syndicate's generous and indiscriminate abundance.
After leaving the cathedral I changed my ideas by looking for the Gambetta grocery. It happened to be close by. The name is still over the door, but the shop no longer looks democratic. Its plateglass, its fresh paint and gilding, and the specimens of ceramic art which fill the window, give it somewhat the air of one of those London shops kept by ladies of title.
He neglected his estate from every point of view, except the one of raising mortgages upon it so that he might have the wherewithal to add to his store of ceramic treasures. He lived luxuriously, employing a high-priced chef and soft-footed, well-trained servants to see to his comfort, because anything short of perfection grated on his artistic sensibilities.
So much then for the practical demands, in modern architecture, met by the products of ceramic art. The æsthetic demand is not less admirably met or rather might be. When, in the sixteenth century, the Renaissance spread from south to north, color was practically eliminated from architecture.
If we should ask how such motives came to be employed in ceramic decoration, the answer would be given that they were selected and employed because they were regarded as fitting and beautiful by a race of decorators whose taste is well nigh infallible.
Heaven knows who our host was or what that particular little "feed" was about now! all that sticks is the impression of our straggling entry, a string of six or seven guests, and my uncle looking about him at the numerous bright red-shaded tables, at the exotics in great Majolica jars, at the shining ceramic columns and pilasters, at the impressive portraits of Liberal statesmen and heroes, and all that contributes to the ensemble of that palatial spectacle.
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