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Updated: May 4, 2025


Isaac Bickerstaffs "portraits" of Chloe and Clarissa, or the "lucubration" on Deference to Public Opinion. When La Bruyère died, Steele was already an author, and what is more, a moralist. It is impossible not to believe that he had been reading the "Caractères" when it occurred to him that he might procure himself "a most exquisite pleasure," by framing "Characters of Domestic Life."

The tyrant dwelt upon the bountiful supply of pistoles he had received; the pedant upon the capital wines of which he had drunk his fill; Matamore upon the enthusiastic applause that had been lavished upon him by that aristocratic audience; Zerbine upon the pieces of rich silk, the golden necklaces and other like treasures with which her chest was replete no wonder that it was heavy while de Sigognac and Isabelle, thinking only of each other, and happy in being together, did not even turn their heads for one last glimpse of the handsome Chateau de Bruyere.

But we miss Rousseau and Turgot, deplore the absence of Corneille and La Bruyere, and feel that at least a sand-bank or two might have been found for Quesnay and the economists, if only as a set-off against the disparagement of Burke. Yet it is on the whole an illustrious company, representative of the best and brightest in French intellect and character.

But the work of genius which in itself summed up the perfections of prose and set the mould of language was Pascal's "Lettres Provinciales." The age was characterised by the eloquence of Bossuet. The "Télémaque" of Fénelon, the "Caractères" of La Bruyère, were works of an order entirely original and without precedent.

They may justly remove all, timidity, awkward bashfulness, low diffidence of one's self, and mean abject complaisance to every or anybody's opinion. La Bruyere says, very truly, 'on ne vaut dans ce monde, que ce que l'on veut valoir'. It is a right principle to proceed upon in the world, taking care only to guard against the appearances and outward symptoms of vanity.

We will therefore divide this important Meditation into six paragraphs: 1. La Bruyere has very wittily said, "It is too much for a husband to have ranged against him both devotion and gallantry; a woman ought to choose but one of them for her ally." The author thinks that La Bruyere is mistaken.

Then I left Lefroy with the division and went down on the back of an ambulance to see for myself. I found Blenkiron, some of the Army engineers, and a staff officer from Corps Headquarters, and I found Archie Roylance. They had dug a mighty good line and wired it nobly. It ran from the river to the wood of La Bruyere on the little hill above the Ablain stream.

Many observations of La Bruyere and Rochefoucault the latter especially have obtained credit for truth solely from their point. They possess exactly the same merit as the very sensible permit me to add very French line in Corneille: "'Ma plus douce esperance est de perdre l'espoir." The Maquis took advantage of the silence which followed Vincent's criticism to rise from table.

When we parted he gave me a neatly bound copy of La Bruyere as a prize for his own proficiency, I presume. Many a pleasant half-hour have I since spent with the witty classic. Except the controversial harangues of the zealot Auguste, my religious teaching was neglected on week days. On Sundays, if fine, I was taken to a Protestant church in Paris; not infrequently to the Embassy.

Hence that remark of La Bruyère that there is nothing so slight, so simple or imperceptible but that our way of doing it enters in and betrays us: a fool neither comes nor goes, nor sits down, nor gets up, nor holds his tongue, nor moves about in the same way as an intelligent man.

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