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Updated: May 4, 2025
On the Monday we have an allegory as lively and ingenious as Lucian's Auction of Lives; on the Tuesday an Eastern apologue, as richly coloured as the Tales of Scherezade; on the Wednesday, a character described with the skill of La Bruyere; on the Thursday, a scene from common life, equal to the best chapters in the Vicar of Wakefield; on the Friday, some sly Horatian pleasantry on fashionable follies, on hoops, patches, or puppet shows; and on the Saturday a religious meditation, which will bear a comparison with the finest passages in Massillon.
In this class, it is truly observed, society is often full of charm: every one seems, according to the precept of La Bruyère, "anxious, both by words and manners, to make others pleased with him and with themselves." There are slight differences of character, opinion, and interest; but there is no prevailing style, no singular or affected customs.
There were still six hours before us when the Boche might knock us to blazes, six hours of maddening anxiety ... Lefroy announced that all was quiet on the front, and that the new wiring at the Bois de la Bruyere had been completed. Patrols had reported that during the night a fresh German division seemed to have relieved that which we had punished so stoutly yesterday.
Like the gentleman that he was, Rochefide invested his six hundred thousand francs in stock of the Bank of France and put half of that sum in the name of Josephine Schiltz. A little house was now hired in the rue de La Bruyere and given to Grindot, that great decorative architect, with orders to make it a perfect bonbon-box. Henceforth, Rochefide no longer managed his affairs.
La Fontaine has been described as a solitary being, without wit, and without external charm of any kind. La Bruyere has said, "A certain man appears loutish, heavy, stupid; he can neither talk nor relate what he has just seen; he sets himself to writing, and it is a model of story-telling; he makes speakers of animals, trees; stones, everything that cannot speak.
From her father she had inherited a discriminating mind and a most admirable habit of reserve. She was quite happy when alone, which, according to La Bruyere, is a great safeguard against all evil. She wanted to be alone now, and therefore passed out of the open window with a non-committing "Good-bye, Aunt Anna!" "Good-bye, dear," replied the lady, awaking suddenly from a reverie.
There has scarcely lived a great man of letters in comparatively recent times about whose life there is so little to relate as about that of La Bruyère. He is believed to have gone to school to the Fathers of the Oratory, but even that is not certain. His knowledge of Greek is thought to prove it, but, though the Oratorians were admirable Hellenists, surely Greek could be learned elsewhere.
This is an ideal to which Locke, anxious to make disciples by his regular and sometimes racy use of language, never attained. La Bruyère, who did not address the passing age, so polished his periods that all successive generations have hailed him as one of the greatest masters of prose. Voltaire's definition of the style of La Bruyère is well known, but cannot too often be repeated.
I am fond of quoting this passage from La Bruyère, because the subject is one where I like to show a Frenchman on my side, to save my sentiments from being set down to my peculiar dulness and deficient sense of the ludicrous, and also that they may profit by that enhancement of ideas when presented in a foreign tongue, that glamour of unfamiliarity conferring a dignity on the foreign names of very common things, of which even a philosopher like Dugald Stewart confesses the influence.
They returned quickly, with alacrity, with ardor; only poverty or a certain rustic pride kept gentlemen in their provinces. "The court does not make one happy," says La Bruyere, "it prevents one from being so anywhere else."
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