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Updated: June 18, 2025


I could hear nothing of it, but she insisted and we followed the music, inaudible to me, up the slopes of the garden that is the foot-hill of the mighty mountain of Mahadeo, and still I could hear nothing. And Vanna told me strange stories of the Apollo of India whom all hearts must adore, even as the herd-girls adored him in his golden youth by Jumna river and in the pastures of Brindaban.

'We are going back to Brindaban, she said. 'Let us have our expenses for the journey. I knew she was not going to Brindaban, and also that the cost of her journey would be substantial. So I have come to you." "The required cost shall be paid," I said. "The old woman is not a bad sort," my master went on musingly.

Were it not for Kubja and other beauties of Mathura, Krishna would now be with us in Brindaban. Had we known he would not return, we would never have let him go. In such words they repudiate Udho's message, upbraid Krishna for his fickle conduct and demonstrate with what intensity they still adore him.

A few days later, Udho returns to Mathura bringing with him milk and butter as presents to Krishna from Nanda and Yasoda and escorting Rohini, Vasudeva's other wife and Balarama's mother. He gives Krishna the cowgirls' message and reports how all Brindaban longs for his return. 'Great King, he says, 'I cannot tell you how they love you. You are their life. Night and day they think of you.

He subsequently spent nine years in travelling twice round India and at Brindaban received a visit from Kṛishṇa in person, who bade him promulgate his worship in the form of the divine child known as Bâla Gopâla. Vallabha settled in Benares and is said to have composed a number of works which are still extant.

Krishna, it is clear, cannot go himself, but Balarama is less impeded and with Krishna's approval, he takes a ploughshare and pestle, mounts a chariot and speeds on his way. As he nears Brindaban, the familiar scenes greet him. The cowherds and cowgirls come into view, but instead of joy there is general despair. The cows low and pant, rejecting the grass.

He decides, therefore, that since he himself cannot go, someone must be sent on his behalf. Accordingly, he instructs a friend, Udho, to go to Brindaban, meet the cowherds and make excuses for his absence. At the same time, he must urge the cowgirls to give up regarding Krishna as their lover but worship him as God.

This incident of the trees now forces Nanda to make a decision. The various happenings have been profoundly unnerving and he feels that it is no longer safe to stay in Gokula. He decides therefore to move a day's march farther on, to cross the river and settle in the forests of Brindaban. The cowherds accordingly load up their possessions on carts and the move ensues.

Brindâban, or Bindarâban, which is a very short distance further by rail, possesses an old Hindu temple, dedicated to Govind Deva, or Vishnu, of the same period as the other at Govardhan, and built by the same person, Rajah Man Singh of Amber, an ancestor of the present Maharajah of Jaipur. Fergusson describes it as one of the most interesting and elegant temples in India.

So great was his devotion that in 1757 he abandoned the throne and taking with him his favourite maid of honour, the beautiful poetess, Bani Thani, retired to Brindaban where he died in 1764. Sawant Singh's delight seems to have been shared by a local artist, Nihal Chand, for under the Raja's direction he produced a number of pictures in which Radha and Krishna sustained the leading roles.

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